Medium: oak inlaid with other woods, painted metalwork and painted panels
Dimensions: 52.5 in. (height) x 99 in. (width) x 34 1/4 in. (depth)
Production Description
Production Date: 1860-1862
Exhibition History: London International Exhibition, 1862
Intended Context: The cabinet was designed to hold architectural drawings for Seddon's
personal use.
Date Commissioned: 1861
Provenance
Current Location: Victoria & Albert Museum, London
Scholarly Commentary
Introduction
This inlaid oak cabinet depicting episodes from King René's Honeymoon was a
collaborative project, including painted panels by Dante Gabriel Rossetti, Edward
Burne-Jones, Ford Madox-Brown and Val Prinsep. Rossetti's contributions included
Music and
Gardening, both of which were made into independent works (see the
oil painting of Music, and the
watercolour of Gardening, both
from 1864). Burne-Jones painted the scenes for
Painting and
Sculpture, while Ford
Madox Brown contributed
Architecture. The rest
of the
smaller scenes, representative of the
applied arts, were designed by Val Prinsep, including one depicting
Ironwork, for which William Morris is thought to be
the model. In 1862, the four largest designs (
Music,
Painting,
Sculpture and
Architecture) were transformed into stained glass by
The Morris Firm, and are now in the collection of the Victoria & Albert
Museum.
Scholarly Commentary
Introduction
This inlaid oak cabinet depicting episodes from King René's Honeymoon was a collaborative project, including painted panels by Dante Gabriel Rossetti, Edward Burne-Jones, Ford Madox-Brown and Val Prinsep. Rossetti's contributions included Music and Gardening, both of which were made into independent works (see the oil painting of Music, and the watercolour of Gardening, both from 1864). Burne-Jones painted the scenes for Painting and Sculpture, while Ford Madox Brown contributed Architecture. The rest of the smaller scenes, representative of the applied arts, were designed by Val Prinsep, including one depicting Ironwork, for which William Morris is thought to be the model. In 1862, the four largest designs ( Music, Painting, Sculpture and Architecture) were transformed into stained glass by The Morris Firm, and are now in the collection of the Victoria & Albert Museum.
Bibliography