Note: The monogram and date are inscribed at upper left.
Production Description
Production Date: 1865
Exhibition History: R.A. 1883 (no.310); Fogg Museum of Art 1946 (no.69)
Model: Amy Graham
Note: According to WMR, this is a portrait of one of the daughters of William
Graham (a young lady who would later become Lady Muir Mackenszie), but Marillier denies it, and Graham's daughter Francis
Horner (in
Time Remembered) identifies the portrait simply as “a girl standing against a
background of ilex, or bay” (page 8).
Provenance
Current Location: Fogg Museum of Art, Harvard University
Catalog Number: 1943.201
Archival History: William Graham; Christie's sale April 3,
1886 (lot 11), £378; Grenville L. Winthrop Bequest; Fogg Museum of Art, Harvard University
Scholarly Commentary
Production History
The picture has an interesting history. Originally painted for William Graham
in 1865, its title at that point was
Bella e Buona. DGR
took back the picture in 1873 and repainted it, renaming it “Il
Ramoscello” and adding the new title to the picture's background.
When it was returned to Graham he was displeased with the changes and had
them removed, although he left the new title on the picture.
Literary
At the time he made this picture he associated it with a poem he wrote at the same time, identically titled Bella e Buona.
He later changed the poem's name to
?Plighted Promise? when he came to include it in his
1870 Poems, thus erasing the ?double work? status that poem and picture originally had.
Scholarly Commentary
Production History
The picture has an interesting history. Originally painted for William Graham in 1865, its title at that point was Bella e Buona. DGR took back the picture in 1873 and repainted it, renaming it “Il Ramoscello” and adding the new title to the picture's background. When it was returned to Graham he was displeased with the changes and had them removed, although he left the new title on the picture.
Literary
At the time he made this picture he associated it with a poem he wrote at the same time, identically titled Bella e Buona. He later changed the poem's name to ?Plighted Promise? when he came to include it in his 1870 Poems, thus erasing the ?double work? status that poem and picture originally had.
Bibliography