page: bookcover
Note: book plate of Charles Fairfax Murray
Manuscript Addition: D G Rossetti Sonnets and Fragments / original MSS with two drawings by
DGR / and 25 MSS
Editorial Description: Charles Fairfax Murray's note in upper right hand corner. The drawings have
been removed from the materials.
Note: pasted down typed identifying label
Manuscript Addition: Spring Marillier p. 4 written 1873 / pub. Athenaeum 30 May 1874 /
Thames Valley Sonnets
Editorial Description: WMR's pencil note.
ROSSETTI (DANTE G.). Sonnets and Fragments. The Original
Manuscript with
2
two drawings by D. G. Rossetti,
About 24
25 Manuscripts.
Note: Engraved bust portrait of DGR
page: [1]
Actual Size: 21.8 x 18 cm
Paper Lineation: ruled
Actual Watermark: J ALLEN & SONS / SUPER FINE
Manuscript Addition: [?]
Editorial Description: Additional line variation written by DGR at bottom left corner of the page.
Manuscript Addition: [?]
Editorial Description: Note by another hand in a lighter ink in the lower right corner of the page.
- Soft-littered is the new-year's lambing-fold,
- And in the hollowed haystack at its side
- The shepherd lies o'nights now, wakeful-eyed
- At the ewes' travailing call through the dark cold.
- The young rooks cheep 'mid the thick caw o'the old:
- And near unpeopled streamsides, on the ground,
- By her spring-cry the moorhen's nest is found,
- Where the drained flood-lands flaunt their marigold.
- Chill are the gusts to which the pastures cower,
-
10 And chill the current where the young reeds stand
- As green and close as the young wheat on land:
- Yet here the cuckoo and the cuckoo-flower
- Pledge to the heart Spring's perfect imminent hour
- Whose breath shall soothe you like your dear
one's hand.
page: [1v]
Manuscript Addition: [?]
Editorial Description: Note on the back of the sonnet "Spring," possibly by Charles Fairfax Murray.
page: [2]
Actual Size: 19.1 x 22 cm
Paper Lineation: ruled
Paper Stock: whit
Manuscript Addition: 10
12/35
Editorial Description: DGR's numeration for placing the poem.
- How dear the sky has been above this place!
- Small treasures of this sky that we see here
- Seen weak through prison-bars from year to year;
- Eyed with a painful prayer upon God's grace
- To save, and tears that stayed along the face
- Lifted at sunset. Yea, how passing dear,
- Those nights when through the bars a wind left clear
- The heaven, and moonlight soothed the limpid space.
- So was it, till one night the secret kept
-
10 Safe in low vault and stealthy corridor
- Was blown abroad
upon swift tongues
on gospel-tongues of flame.
- O ways of God, mysterious evermore!
- How many on this spot have cursed & wept
- That all might stand here now & own thy Name.
page: [2v]
page: [3]
Actual Size: 22.1 x 18 cm
Paper Lineation: ruled
Paper Stock: white
Actual Watermark: J ALLEN & SONS / SUPER FINE
- How large that thrush looks on the bare thorn-tree!
- A swarm of such, three little months ago,
- Had hidden in the leaves and let none know
- Save by the outburst of their minstrelsy.
-
The
A white flake here and there—a snow-lily
- Of last night's frost—our naked flower-beds hold;
- And for a rose-flower on the
purple
darkling mould
- The redbreast gleams, —poor hungry wanderer he!
- The current
rattles at its
shudders to its ice-bound sedge:
-
10
Where the ice splits
Nipped in their bath, the
stiff
stark reeds one by one
- Flash each its clinging diamond in the sun:
Deleted Text
- Like wealthy withered fingers: while the sedge
- Sails to the blast which for this winter's pledge
- Shall leave memorial forest-king's o'erthrown.
- While winds afar, for winter's sovereign pledge
- While winds as far &c.
Added Text
- 'Neath
gales
winds which for this winter's sovereign pledge
- Shall curb great king-masts to the
water's ocean's edge
- And leave memorial forest-king's o'erthrown.
page: [3v]
page: [4]
Actual Size: 18 x 22.5 cm
Paper Lineation: ruled
Paper Stock: white
- From him did forty
thousand
million serfs, endow'd
- Each with six feet of death-
claimed
due soil, receive
- Rich freeborn lifelong land, whereon to sheave
- Their country's harvest. Who today aloud
- Demand of Heaven their Father's blood,—sore bow'd
- With tears and thrilled with wrath; and born to achieve,
- On every guilty head without reprieve
- All torment by his edicts disallow'd.
- He stayed the knout's red-ravening fangs; & first
-
10 Of Russian traitors, his own murderers go
- White to the tomb. While he,—laid foully low
- With limbs red-lopped, with blood-clogged brain which nurs'd
-
The
His nation's charter,—from full Nihil flown,
- No Nought
now finds
now,—
a
God's [?] at
God's
the throne.
page: [4v]
Manuscript Addition: 342 vol 1
Editorial Description: pagination notation in unknown hand
page: [5]
Actual Size: 16.5 x 7.4 cm
Paper Stock: white
Actual Watermark: EY &
Condition: darkened
Note: The second manuscript on the page is unwatermarked and measures 18.2 x 11.1 cm
- And not more lightly or more true
- Fall there the dancers' feet
- Than fall
her cards
on
upon the
bright board
-
With
As 'twere a heart's
measured
that beat.
-
Deftly The fingers let them
softly
softly through,—
- Smooth polished
easy/?
silent things;
- And each one as it
fell
falls reflects
page: [5v]
Note: The verso of the second manuscript is blank. The verso of the first manuscript
scrap shows the cancelled epigraph and opening of “The Card-Dealer”.
Deleted Text
“And the name of the first siren is Telxiope,— she
it
is who sings of high honour; the name of the second is
Telsinoe, and riches is her song; and the third is named
Aglaophemia, and her singing is all of pleasure and
solace. And
they three
oftentimes sing together.”
Travells of King Ulixes—(1550)
Deleted Text
- Ambition, cupidité,
- Et délicieuse volupté,
- Sont les soeurs de la destinée
- Après la vingt-première année.
(Calendrier de la Vie), 1630.
- Could you not drink her
eyes
gaze like wine?—
- [?] there [?] air
page: [6]
Actual Size: 18.1 x 11.5 cm
Original Size: 18.1 x 22 cm
Paper Lineation: ruled
Paper Stock: white
Actual Watermark: SUPER
Original Watermark: J ALLEN & SONS / SUPER FINE
Note: The alternate version of lines 7-8 is written at the foot of the page.
- Mystery: lo! betwixt the sun and moon
- Astarte of the Syrians: Venus Queen
- Ere
Grecian Venus
Aphrodite was. In silver sheen
- Her twofold girdle clasps the infinite boon
- Of bliss whereof the
earth and heaven
and earth commune:
- And from her neck's inclining flower-stem lean
- Love-freighted lips, and absolute eyes that wean
- The pulse of hearts to the sphere's dominant tune.
- Torch-bearing, her sweet ministers compel
-
10 All thrones of light beyond the sky and sea,
- The witnesses of Beauty's face to be:
- That face, of Love's all-penetrative spell
- Amulet, talisman and oracle,—
- Betwixt the sun and moon a mystery.
- and eyes that see the unseen,—
- Their gaze instinct with the sphere's dominant tune.
page: [6v]
Manuscript Addition: 361
Editorial Description: pagination notation in unknown hand
page: [7]
Actual Size: 22.2 x 17.4 cm
Paper Lineation: ruled
Paper Stock: white
Actual Watermark: J ALLEN & SONS / SUPER FINE
Manuscript Addition:
10/22 20
Editorial Description: DGR's numeration for placing the poem
- Lung
i
è la luce che in sù questo muro
-
Mi giunge
Rifrange appena, un breve istante scorta
- Del
mio
rio palazzo alla
lontana
soprana porta.
- Lungi quei fiori d'Enna, O lido oscuro,
- Dal frutto tuo fatal
per cui Snaturo
che omai mè duro
- Lungi quel cielo dal tartareo manto
- Che quì mi cuopre: e lungi ahi lungi ahi quanto
- Le notti che saran dai dì che furo!
- Lungi da me mi sento; e ognor sognando,
-
10 Cerco e ricerco, e resto ascoltatrice;
- E qualche cuore a qualche anima dice,
- (Di cui mi giunge il suon di quando in quando,
- Continuamente insieme sospirando,)—
- “Oimè per te, Proserpina infelice!”
page: [7v]
page: [8]
Actual Size: 22.2 x 17.9 cm
Paper Lineation: ruled
Paper Stock: white
Actual Watermark: J ALLEN & SONS / SUPER FINE
Note: The cancelled version for line 11 are at the foot of the page.
Manuscript Addition:
4 13
Editorial Description: DGR's numeration for the placement of the poem.
- The head and hands of murdered Cicero,
- Above his seat high in the Forum hung,
- Drew jeers and burning tears. When on the rung
- Of a swift-mounted ladder, all aglow,
- Fluvia, Mark Antony's shameless wife, with show
- Of foot firm-poised and gleaming arm upflung,
- Bade her sharp needle pierce that godlike tongue
- Whose speech fed Rome even as the Tiber's flow.
-
Ah!
And thou, Cleopatra's Needle, that hadst thrid
-
10Great skirts of Time ere she and Antony hid
- Dead hope!—
and hast thou
too reached, surviving death,
-
Our
A city of sweet speech scorned,—on whose chill stone
- Keats withered, Coleridge pined, and Chatterton,
- Breadless, with poison froze the God-
deriv'd
fired breath?
Deleted Text
- thou seekst, from Egypt's eldest death
- [???] from thine eldest death
page: [8v]
page: [9]
Actual Size: 22.2 x 17.9 cm
Paper Lineation: ruled
Paper Stock: white
Actual Watermark: J ALLEN & SONS / SUPER FINE
Note: DGR writes alternative rhymes for line 5 at the upper left corner(in ink) and
in the middle of the long pencil list at the bottom of the page; for line 14 at
the lower left (in pencil), and for line 13 (in pencil) at the bottom of the
page slightly to the left. DGR also copies variants of line 11 at the foot of
the page.
Manuscript Addition: slow/blow / know/flow
Editorial Description: alternate possible rhymes for line 5, the second pair in pencil at the bottom
of the page
Manuscript Addition: brave/gave/rave
Editorial Description: alternate possible rhymes for line 14
Manuscript Addition: tear?/jeer?/know/flow/hear/near/spear/clear
Editorial Description: alternate possible rhymes for line 13, with two trials for line 5
- Rend, rend thine hair, Cassandra: he will go.
- Yea, rend thy garments, wring thine arms, and cry
- From Troy still towered to the unreddened sky.
- See, all but she that bore thee mock thy woe:—
- He most whom that fair woman arms,
and now
with show
-
Clenches her angry
Of wrath on her bent brows; for in this place
- This hour thou bad'st all men in Helen's face
- The ravished ravishing prize of Death to know.
-
No
What eyes,
no
what ears hath sweet Andromache,
-
10 Save for her Hector's form and step?—as dear
- Thrice dear, his mouth
that owns
yet feels the kiss she gave?
- He goes. Cassandra's words beat heavily
- Like crows above his crest, and at his ear
- Ring hollow in the shield that shall not save.
- as dear
- Thrice dear, her arms still clasp the babe he gave.
- as spear
- And helm [?], the face of Fate to brave.
- as tear
- On tear make salt the
sweet
warm last kiss he gave.
page: [9v]
page: [10]
Actual Size: 22.2 x 17.9 cm
Paper Lineation: ruled
Paper Stock: white
Actual Watermark: J ALLEN & SONS / SUPER FINE
-
Even so, great Hector, go! Yea,
“O Hector, gone, gone, gone! O Hector, thee
- Two chariots wait, in Troy long blessed & curs'd;
- And Grecian sword and Phrygian sand athirst
- Crave from thy veins the blood of victory.
- One brand upon our hearth long time had we,
- Lit for the roof-tree's ruin. Lo! to-day
- The ground-stone quits the wall,—the wind
hath way,—
- And higher and higher the wings of fire are free.
- O Paris, Paris! O thou burning brand,
-
10 Thou beacon of the sea whence Venus rose,
- Lighting thy race to shipwreck! Even that hand
- Wherewith she took thine apple let her close
- Within thy curls at last, and while Troy glows
-
Stretch
Lift thee her trophy to the sea and land.”
*
The design represents
The subject is Cassandra prophesying among her
kindred, while Hector
goes to leaves them for his last
battle.
Helen is arming
It is on the platform of a fortress, from which the Trojan troops are
[?] to battle
marching out. Helen is arming Paris;
and Andromache
has just holds the child
in her arms.
page: [10v]
Manuscript Addition: 359
Editorial Description: Page number written apparently by DGR
- The same was he who, lashed to his own mast,
- Beside the sirens' singing island pass'd,
- Till music
died upon fainted on the
inveterate sea
- Say, soul, and doth no fatal song for us,
- Prove yet than any crown more rapturous,
- No
d
Death's lip shame the cheek of Victory?
page: [11]
Actual Size: 22.3 x 18 cm
Paper Lineation: ruled
Paper Stock: white
Note: Two of the cancelled readings, for lines 8 and 13, are at the bottom of the page.
- “There is a budding morrow in midnight:”—
- So sang our Keats, our English nightingale.
- And here, as lamps across the bridge turn pale
- In London's smokeless resurrection-light,
- Dark breaks to dawn. But o'er the deadly blight
- Of love deflowered & sorrow of none avail
- Which makes this man gasp and this woman quail,
- Can day
with
from darkness ever again
unite
take flight
ever again grow light?
- Ah! gave not these two hearts their mutual pledge,
-
10Under one mantle sheltered 'neath the hedge
- In gloaming courtship? And
alas
O God! to-day
- He
does but
only knows he holds her;—
and
but what part
-
Life
Can life now
can take? She cries in her
own
locked heart,—
in her shut heart
- “Leave me—I do not know
you—go away!”
page: [11v]
page: [12]
Actual Size: 22.1 x 17.7 cm
Paper Lineation: ruled
Paper Stock: white
Actual Watermark: J ALLEN & SONS / SUPER FINE
Printer's Direction: Print this / after no 8 /
The Passover
Pandora page 134
- “Oh loose me! See'st thou not my Bridegroom's face
-
10 That draws me to Him? For His feet my kiss,
- My hair, my tears
I bring
He craves to-day:—and oh!
- What words can tell what other day and place
- Shall see me clasp those blood-stained feet of His?
- He needs me, calls me, loves me: let me go!”
Transcribed Note (page [12]):
*In the design Mary has left a festal procession, and is ascending by a
sudden impulse the steps of the house where she sees Christ. Her lover has
followed her and is trying to turn her back.
page: [12v]
page: [13]
Actual Size: 18 x 9.6 cm
Paper Lineation: ruled
Paper Stock: white
Actual Watermark: & SONS / FINE
Original Watermark: J ALLEN & SONS / SUPER FINE
Note: Two fragmentary manuscript leaves pasted on one page. The first, unwatermarked, measures 18. 6.1cm., and is from
“Love's Nocturn”; the second, from
“Smithereens” is described in the notes above.
- Song shall tell how glad and strong
- Is the night she soothes alway;
- Moan shall grieve with that parched tongue
- Of the brazen hours of day:
- Sounds as of the springtide they,
- Moan and song,
- While the chill months long for May.
(1)
- Uncertain-aged Miss Thereabouts,
- Tough fossil of her teens,
- Has lifted up with saving hand
- The ruined Smithereens.
(2)
- Down the dark steps of debt that hand
- Sped like an angel's wing,
- Deep dowered with gold, & for itself
- Brought back a golden ring.
(3)
- Ah lovely Lucy Lovandove,
-
10 That ring's a snake, and means
- Woe without end: therein lies crushed
- Thy heart—to smithereens!
page: [13v]
- My soul this hour has drawn thy soul
- A little nearer yet.
- And thin, alas! the shred of sleep
- That wavers with the spirit's wind.
Deleted Text
- To God at best, to Chance at worst,
- Give thanks for good things, last as first.
- But wind-strown blossom is that good
- Whose apple is not gratitude.
- Even if no prayer uplift thy face,
- Let the sweet right to render grace
- As thy soul's cherished child be nurs'd.
page: [14]
Actual Size: 18 x 22.2 cm
Paper Lineation: ruled
Paper Stock: white
Actual Watermark: J ALLEN & SONS / SUPER FINE
- Yon' Cur's not rid of his own name,
- Though he to others give the same.
- Yon
Yelper
Scribbler leaves his works to the
- Posteriors of Posterity;
- Though sounds may reach him from the sphere
- Which seem to his long listening ears
- Most like the trumpet-blast of Fame.
- Se ne va la gioventù
- Vidi come se ne va
-
The
A Sonnet is a moment's monument,—
- Memorial from the Soul's eternity
- To one dead deathless hour—
Like a coin (face & obverse)—memories
connected
with the coin &c.
As the features of a child recall now
the father & now the
mother & yet
are different from both, so in a work
may be traced this or that passion or
experience of its author's life,
though
all be turned to a fresh purpose.
Ground-swell owing to a storm far out in mid sea.
Sea quite calm to
horizon, except on the beach where
it rises falls & eddies
in huge wrestling waves.
Effect like the outer dying circle when a
pebble has
been dropped in
rest centre of a pool.
- That tempest had its pebble dropped
- A hundred miles at sea &c.
page: [14v]
Deleted Text
- In the life-drama's stern cue-call,
- A friend's a part well-prized by all:
- And if thou meet an enemy,
- What art thou that such
should/must
should not be?
- Even so: but
should
if the two parts run
- Into each other and grow one,
- Then comes the curtain's cue to fall.
- Say, art thou proud? How feel'st thou fit
- Thy mood with flatterers' silk-spun wit?
-
10Does the sweet voice exalt thy crest,
- As with the truth made manifest.
- Nay, but then chaf'st at flattery? Pause:
- Be sure
that it
thy wrath is not because
- It makes thee feel thou lovest it.
- One step in knowledge 'tis to grow
- Quite certain that thou dost not know
- How callous seems beyond revoke
- The clock with its last listless stroke!
- How much too late at length!—to snatch
- A glance at the returning patch,
- The thing for hours thou
[???]
darest not do!
-
20
This may Behold, this
may be thus! Ere true
- It prove, arise and bear thy yoke.
- spoke/broke
page: [15]
Actual Size: 18 x 19 cm
Paper Lineation: ruled
Paper Stock: white
Actual Watermark: J ALLEN & SONS / SUPER FINE
- Who knoweth not love's sounds and silences?
Deleted Text
- and we
- Whom trees that knew your sires shall cease to know
- And still stand silent
- The golden kingcup-fields with silence edge
- Where the cow-parsley skirts the hawthorn-hedge.
Deleted Text
Tragical shadow & the realm of fear
- One bliss but tarries for another's birth;
- As the last cowslip in the fields we see
- With the first corn-poppy.
Amen to the Omen
- As balmy as the breath of her you love
- When deep between her breasts it comes to you.
- Some close-companioned inarticulate hour
-
Whose
When twofold silence was the song of love.
- Her hands lay open in the long deep grass,
- And the sweet points looked through like rosy flowers
page: [15v]
- Even as a child, of sorrow that we give
- The dead, but little at his heart can find,
- Since without need of thought in his clear mind
- Their turn it is to die and his to live:—
- I looked and saw the love
- At the bottom of your heart
- As a diver sees a pearl
- At the bottom of the sea:
- And I murmured, not above
- My breath, but all apart,
- Ah! she can love, sweet girl,
- And does love, and loves me.
Deleted Text
How callous is the clock with its last stroke
Deleted Text
Faint like a flower the attenuated dream.
- the fire
- Put forth its withering fingers of pure flame
- O happy he for whom first love & last
- Are but one love for ever!
page: [16]
Actual Size: 18 x 22.2 cm
Paper Lineation: ruled
Paper Stock: white
Actual Watermark: J ALLEN & SONS / SUPER FINE
- With furnaces
- Of instant flame & petals of pure light
Deleted Text
- Would God I knew there were a god to thank
- When thanks arise in me
- Deep in the sun-searched grass the dragon-fly
- Hangs like a blue thread loosened from the sky
Deleted Text
- The cuckoo-throb, the heartbeat of the Spring
- Even as the dreariest swamps, in sweet Springtide,
- Are most with Mary-flowers beatified
Deleted Text
- The rosebud's blush that leaves it as
she
it grows
- Into the full-eyed fair unblushing rose.
- Or reading in some sunny nook
- Where grass-blade shadows fall across her book.
- I saw the Sibyl at Cumæ”
- (One said) “with mine own eye.
- She hung in a cage
x & read her rune
x
- To all the passers-by:
- Said the boys, ‘What wouldst thou, Sibyl?’
- She answered ‘I would die.’”
xsat on a stage
xlife-runes
page: [16v]
Deleted Text
- “I hate” says over and above
- “This is a soul that I might love.”
- None lightly says “My friend”; even so
- Be jealous of that name, “my foe.”
- An enemy for an enemy,
- But dogs for what a dog can be.
- Hold those at heart, and time shall prove.
Deleted Text
- These upheaved forest-trees moss-grown to-day
- Whose roots are hillocks where the children play
- Where the poets all,
- Echoes of singing nature, list her call.
Deleted Text
- Hast ever say, “Lo, I forget”?
- Such thought were to remember yet.
- The loves that from our hands have dropped away,
- Even as the beads of a told rosary.
- Of natural foods she nothing needs,
- A grain of
rice
rice a day
(Aura & Aurora)
page: [17]
Note: Some manuscript notes in unknown hand, perhaps WMR, querying some DGR
manuscript scraps
Transcription Gap: text of the page (image supplies information)
page: [18]
Note: DGR scripted the first three stanzas originally with stanza 2 preceding stanza 3.
- The kine might stem the tide & live
- The nags might take no ill,
- But it's woe the day for a fair woman
- Laid half-way up the hill.
- All white & still & dumb she lay
-
10Six spans above the flood
- It's “Janet, if ye be yourself,
- Rise in the name of God!”
- Often he's met her by the bank
- And often by the brae,
- And raced with her in April rains
- And passed the birds in May.
after “beside his chin”
- But
woe's my heart
ever near for Father John
- And the saints he clamoured to:
-
[???]
There's never a saint but Christopher
-
To
Might hale such buttocks through!
- “They told me you were dead, Janet,—
- So long you left from me.”
- “They told me you were false, Lord Sands,
- And I came here to die?”
page: [19]
Note: This page and the next contain four separate small leaves, on each of which
are drafted different parts of DGR's poem, "A Last Confession."
-
Beside a
Before some [fresh?] Madonna newly decked,
- Tinselled & gewgawed, a slight German toy,
- I saw her kneel, still praying. At my step
- She rose, and side by side we left the church.
- I was much moved, & sharply questioned her
- Of her transferred devotion;
and at best
but she seemed
- Stubborn and
?
heedless; till she lightly laughed
- And “Aye, the old Madonna?” so she said,
- She had my old thoughts,—this one has my new.”
-
10 Then silent to the soul I
walked with her
held my way
- And from the fountains of the public place
- Unto the pigeon-haunted pinnacles,
- Bright wings and water winnowed the bright air;
- And stately with her laugh's subsiding smile
- She
stepped
went, with well-poised feet & gleaming arms
- And hands held light before her; and the face
- Which long had made a day in
all my
life's night
- Seemed night in day to me; as all men's eyes
- Turned on her beauty, and she seemed to tread
-
20 Beyond
the my heart to the world made for her.
page: [20]
page: [21]
Manuscript Addition: After “Then his kiss”.
- The flood was creeping round their feet.
- “O
Janet
come, love, come away!
- The hall is warm for the marriage-rite,
- The bed for the birthday.”
- “Nay, but I hear your mother cry,
- ‘Go, bring this bride to bed!
- And would she christen her babe unborn,
- So wet she comes to wed?’
- “I'll be your wife to cross your door
s
-
10 And meet your mother's e'e.
- We plighted troth to wed i' the kirk,
- And it's there I'll wed with ye.”
page: [21v]