Exhibition History: R.A., 1973;
Pre-Raphaelite Photography,
A British Council Exhibition, 1983;
Dante Gabriel Rossetti Exhibition,
UK90 Festival: Bunkamura Museum of Art, Tokyo, September 22 through November 14, 1990;
Aichi Prefectural Art Gallery, Nagoya, November 21 through December 9, 1990; Ishibashi
Museum of Art, Ishibashi Foundation, Kurume, January 6 through February 11, 1991
Provenance
Current Location: Victoria and Albert Museum
Catalog Number: 819,42
Note: The Birmingham City Museum and Art Gallery has
a print of the photograph (20.5 x 14.8 cm). It is a close duplicate of
a second print in the Victoria and Albert (22.2 x 16.2 cm, record
numbert 1737, 1939).
Scholarly Commentary
Introduction
Mrs. Morris facing right, seated in a wicker chair with her hands
in her lap. The scene is DGR's garden with a two-layered backdrop framing
the sitter. Farthest
back and only partly visible is the decorated screen DGR used in
another pose from this series; just in
front of the screen is a large black cloth that serves as the
immediate background to the seated figure.
Two versions of this shot are included in the
album of Jane Morris Photographs put together
in 1933 by Gordon Bottomly; they are the third and fourth in the sequence of
twenty-eight prints in the album. The
second of the two is much more closely cropped
so that one loses the double-layered framing effect; in the second image only
a small fragment of the decorated screen is visible at the bottom left.
Bibliography
Bartram,
Pre-Raphaelite
Photography
, 38-40.
Bartram,
The
Pre-Raphaelite Camera
, chapters 5-6.
Scholarly Commentary
Introduction
Mrs. Morris facing right, seated in a wicker chair with her hands in her lap. The scene is DGR's garden with a two-layered backdrop framing the sitter. Farthest back and only partly visible is the decorated screen DGR used in another pose from this series; just in front of the screen is a large black cloth that serves as the immediate background to the seated figure.
Two versions of this shot are included in the album of Jane Morris Photographs put together in 1933 by Gordon Bottomly; they are the third and fourth in the sequence of twenty-eight prints in the album. The second of the two is much more closely cropped so that one loses the double-layered framing effect; in the second image only a small fragment of the decorated screen is visible at the bottom left.
Bibliography