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Benedetti, Dante Gabriel Rossetti, 244-245.
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Surtees, A Catalogue Raisonné, vol. 1, 77, [237] (no. 123).
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Benedetti, Dante Gabriel Rossetti, 244-245.
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Surtees, A Catalogue Raisonné, vol. 1, 77, [237] (no. 123).
This collection contains 3 texts and images, including:
Pencil Drawing
Scholarly Commentary
Introduction
Surtees quotes from a letter from WMR to R. E. R. Brocklebank (15 July 1904) that accompanied the drawing: “I remember the drawing perfectly well. The only title given to it in the appraisement-list was ‘Woman Eating Fruit’, and I did not know till now that it is called ‘Sweet tooth’. . . . I recollect very well the person from whom this watercolour was painted. She was a Scotchwoman in London, with a handsome pleasing face, more especially a fine profile. She was not of the ‘respectable’ class, nor yet a regular artists' model. Her Christian name was Agnes, and she was known as ‘Aggie’ in my Brother's immediate circle. . . . His principal painting from her (watercolour) is named ‘Monna Pomona’; this ‘Sweet tooth’ is nearly or quite as good” ( Surtees, A Catalogue Raisonné, I. [237] ).
Production History
The study for the picture is a drawing not of Agnes Manetti but of Fanny Cornforth. Surtees notes that this drawing “is almost identical with the finished drawing” ( Surtees, A Catalogue Raisonné, I. [237] ).
This portrait of Agnes Manetti should be compared with DGR's 1862 drawing and with the representation of her in the Monna Pomona watercolour.