page: 1
Note: holograph; size: 22.2x16.2cm
The House of Life
Part I
Youth and Change.
Part II
Change and Fate.
page: 2
Note: holograph; size: 22.2x16.7cm. The first six lines, cancelled by DGR, originally made up the opening part of an introductory
note that concluded with the words “quicken
it”; the next passage, which is the last four lines of the text, comprises a late addition.
Deleted Text
In reprinting the fragmentary series of the
“House of Life,” it seemed a more harmonious
arrangement to exclude lyrics and
retain sonnets only. A
further number
of these is now added, in great measure
the work of earlier years.
To speak in the first person is often
to speak most vividly; but these
emotional poems are in no sense
“occasional”. The “Life”
involved is
life representative, as associated
with
hope, love and death,
with aspiration & forboding,
or with ideal art and beauty.
Whether the recorded moment
exist in the region of fact or of
thought is a question indifferent
to the Muse, so long only as her
touch can quicken it.
The present full series of the “House of Life” consists
of sonnets only.
, since Of these it Among these It
will be evident that many
poems
here
now first added were
the work of earlier years.
page: 3
Printer's Direction: This to be used as introductory and printed in italics
Editorial Description: Marginal directions to the printer, written at top by DGR.
Note: May Morris transcript with DGR's corrections and additions; size: 22.2x17.3cm. The text is mounted crosswise in the book,
running from foot to head. The title in the MS is originally
“The Sonnet”, but this is here cancelled and the sonnet was not printed with a specific title by DGR; the title “Introductory
Sonnet” was added later when WMR collected DGR's work and it has become traditional. The variants for line 9's “converse” appear at
the foot of the manuscript.
Scribe: May Morris
- A Sonnet is a moment's monument,—
- Memorial from
thy
the Soul's eternity
- To one dead deathless hour. Look that it be,
- Whether for lustral rite or dire portent,
- Of its own
intricate
arduous fulness reverent:
- Carve it in ivory or in ebony,
- As Day or Night prevail; and let Time see
- Its flowering crest impearled and orient.
page: 4
Note: Section heading in DGR's holograph (written later at the top of the page); text of the sonnet probably copied by May Morris,
with DGR's corrections; size: 22.2x17.6cm. The text is
mounted crosswise in the book, running from foot to head.
Scribe: DGR
Scribe: May Morris (probable)
- I marked all kindred Powers the heart finds fair:—
- Truth, with awed lips; and Hope, with eyes upcast;
- And Fame, whose loud wings fan the ashen past
- To signal-fires, Oblivion's flight to scare;
- And Youth, with
some bright spray of woman's
still some single golden hair
-
Yet to
Unto his shoulder clinging, since the last
- Embrace wherein two sweet arms held him fast;
- And Life, still wreathing flowers for Death to wear.
- Love's throne was not with these; but far above
-
10 All passionate wind of welcome and farewell
- He sat in breathless bowers they dream
ed not of;
- Though Truth foreknow Love's heart, and Hope foretell,
- And Fame be for Love's sake desirable,
- And Youth be dear, and Life be sweet to Love.
page: 5
Manuscript Addition: For later Draft of the Sonnet see reverse of last leaf of
Love's Nocturn in Poems and Sonnets M. S.
Editorial Description: Notation by Charles Fairfax Murray on leaf to which the DGR manuscript fragment is here attached; the reference is to the
other
Fitzwilliam manuscript of this sonnet.
Note: Holograph draft copy (size: 17.9x10.9cm) with Charles Fairfax Murray's notation at the top of the page mounting the DGR MS.
The draft was made prior to any of the 1869-1870 printings.
The text is mounted crosswise in the book, running from foot to head.
Scribe: DGR
- As when desire, long darkling, dawns, & first
- The mother looks upon the newborn child,
-
One hour
Even so my Lady
turned her eyes
stood at gaze & smiled,
-
And
When her soul knew at length the Love it nursed.
- Born with her life, creature of poignant thirst
- And exquisite hunger, at her heart Love lay
- Quickening in darkness, till a voice that day
- Cried
to
on him, and bonds of birth were burst.
- Now, shielded in his wings, our faces yearn
-
10 Together, as his fullgrown feet now
tread
range
-
About us
The grove, & his
kind
warm hands our couch prepare:
-
Till to his song at once our
Till to his song our bodiless souls in turn
-
Are
Be born his children, when
the shadows
Death's nuptial change
- Leaves
us for
last light the halo of his hair.
page: 6
Manuscript Addition: Reverse of “Work & Will” Sonnet 65 for second Draft of this sonnet
Editorial Description: This is Charles Fairfax Murray's notation at the top of the sheet on which the DGR MS is mounted. “Work & Will” was a title for the
sonnet “
Known in Vain”.
Note: Corrected holograph copy (size: 17.9x11.3cm), with Fairfax Murray's annotation at the top of the page. The text is mounted
crosswise in the book, running from foot to head. The title
Love's Testament is Fairfax Murray's addition; DGR left Flammifera as the title in the manuscript leaf, which is a small piece of paper pasted into this
page of the book. At the foot of the text DGR has cancelled the following alternate title possibilities: Flammula, Flammeola,
Flammifera.
Scribe: DGR
- O thou who in
this
Love's hour
unswervingly
ecstatically
- Unto my lips
dost
dost ever more present
- The body and blood of Love in sacrament;
- Whom
clasping I have
I have
clinging [???] neared &
felt thy breath to be
- The inmost incense of his sanctuary;
- Who
not in words
without speech hast owned him, and intent
- Upon his will, thy life with mine hast blent,
- And murmured
[?]
o'er the cup, Remember me:—
- O what from thee the grace, for me the prize,
-
10 And what to
him
Love the glory,—when the whole
- Of the deep stair thou tread'st to the dim
goal
shoal
- And weary water of the place of sighs,
- And there dost work
[???]
deliverance, as thine eyes
- Draw up my prisoned spirit to thy soul.
page: 7
Note: The page is a copy of p. 190 from the 1870
Poems
, on which DGR has introduced several manuscript changes to the printed text. The proof is laid on a copy of DGR's typical
notebook paper (size:16.3x11.3cm).
- O what from thee the grace, for me the prize,
-
10 And what to Love the glory,—when the whole
- Of the deep stair thou tread'st to the dim shoal
- And weary water of the place of sighs,
- And there dost work deliverance, as thine eyes
- Draw up my prisoned spirit to thy soul!
page: 8
Note: Holograph, corrected copy; 21.7.17.3cm. The text is mounted crosswise in the book, running from foot to head. The cancelled
texts of lines 6-7 are added at the foot of the sonnet,
evidently as alternate readings DGR considered and then rejected.
Manuscript Addition: 4
Editorial Description: The number appears possibly in DGR's hand in the left margin alongside the title.
Scribe: DGR
- When do I see thee most, beloved one?
- When in the light the spirits of mine eyes
- Before thy face, their altar, solemnize
- The worship of that Love through thee made known?
- Or when in the
dark
dusk hours, (we two alone,)
- Along thy face, along thy neck, along
- Thy breast my pressed lips feel the pulses throng,
-
My happy cheek upon thy bosom lies,
-
And our lips mingle kisses, words, & sighs,
- And my soul only sees thy soul its own?
- O Love, my love! when I no more may see
-
10Thyself, nor on the earth the shadow of thee,
- Nor image of thine eyes in any spring,—
- How then shall sound, upon Life's darkening slope,
- The ground-whirl of the perished leaves of Hope,
- The wind of Death's imperishable wing?
page: 8v
Manuscript Addition: 85
Editorial Description: The number is written below the text of the sonnet
Note: Holograph corrected copy. It is on a small separate sheet fixed to the bound volume; size: 21.7x17.3cm. The entire text is
cancelled. It is mounted crosswise in the book, running from
foot to head.
Scribe: DGR
- What of that hour
alas
O love
at last, when for her sake
-
10 No wing
shall
may fly to me nor song
shall
may flow;
-
Till
When, wandering round my life unleaved, I know
- The bloodied feathers scattered in the brake,
- And think how she, far from me, with like eyes
- Sees through the untuneful bough the wingless skies?
page: 9
Note: size: 22.2x17.8cm. The text is mounted crosswise in the book, running from foot to head.
Manuscript Addition: 4
Editorial Description: The number is written and crossed through alongside the title.
Manuscript Addition: “Palmifera and Lilith to be called Soul's Beauty and Body's Beauty”
Editorial Description: DGR's pencil notation
Scribe: May Morris
- By what word's power, the key to paths untrod,
- Shall I the difficult deeps of Love explore,
- Till parted waves of song yield up the shore
- Even as that sea which Israel crossed dryshod?
- For lo! in some poor rhythmic period,
- Lady, I fain would tell how evermore
- Thy soul I know not from thy body, nor
- Thee from myself, neither our Love from God.
- Yea, in God's name, and Love's, and thine, would I
-
10 Draw from one loving heart such evidence
- As to all hearts all things shall signify ;
- Tender as dawn's first hill-fire, and intense
- As instantaneous penetrating sense,
- In Spring's birth-hour, of other Springs gone by.
page: 10
Manuscript Addition: v. reverse of Willowwood III sonnet 51 for earlier draft
Editorial Description: Fairfax Murray's notation at top of the page of the volume to which the manuscript fragment is fixed
Note: Holograph corrected copy; size: 17.9x11.1cm. The text is mounted crosswise in the book, running from foot to head. At the
bottom of the page, the words "confluent" and "interfluent"
are written in a lighter ink, perhaps as alternatives for "emulous" in line 13.
Scribe: DGR
- What
withering
smouldering senses in death's sick delay
- Or seizure of malign vicissitude
- Can rob this body of honour, or denude
- This soul of wedding-raiment worn to-day?
- For lo! even now my lady's lips did play
- With these my lips such
gracious
consonant interlude
- As laurelled Orpheus longed for when he wooed
- The half-drawn hungering face with that last lay.
- I was a child beneath her touch,—a man
-
10 When breast to breast we clung, even I & she,—
- A spirit when her spirit looked through me,—
- A god when
all our
all our life-breaths met to fan
-
Our
The
Our life-blood, till
the immingling
intense
Love's emulous ardours ran,
- Fire within fire, desire in deity.
page: 11
Note: Holograph, corrected copy; size: 22.2x16.9cm. The text is mounted crosswise in the book, running from foot to head. The fragmentary
cancelled readings for line 12 are scripted below
the text of the sonnet.
Scribe: DGR
- To all the spirits of love that wander by
- Along the love-sown fallowfield of sleep
- My lady lies apparent; and the deep
- Calls to the deep; and no man sees but I.
- The bliss so long afar, at length so nigh,
- Rests there attained. Methinks proud Love must weep
- When Fate's one day doth from his harvest reap
- The sacred hour for which the years did sigh.
page: 11v
Manuscript Addition: Lo! long / Of old where [???]
Editorial Description: This is the verso of the manuscript of “
Supreme Surrender”; it contains a fragment of text written in DGR's hand at the bottom of the leaf, which here appears crosswise.
Note: The page is blank except for the fragment of text written in DGR's hand at the bottom of the leaf; size: 22.2x16.9cm.
page: 12
Note: Holograph, corrected copy; size: 22.2x17.5cm. The text is mounted crosswise in the book, running from foot to head. Variants
of line 12 and 13 are at the bottom of the manuscript page.
They read: "never wearying of / Thy deep-lit eyes and/[?]/with shadowing hair above."
Scribe: DGR
- Some ladies love the jewels in Love's zone,
- And gold-tipped darts he hath for painless play
- In idle scornful hours he flings away;
- And some that listen to his lute's soft tone
- Do love to deem the silver praise their own;
- Some prize his blindfold sight; and there be they
- Who kissed his wings which brought him yesterday
- And thank his wings today that he is flown.
- My lady only loves the heart of Love:
-
10 Therefore Love's heart, my lady, hath for thee
-
His [?] deep-bower of root
His bower of unimagined flower and tree:
- There kneels he now, and all-anhungered of
- Thine eyes grey-lit in shadowy hair above,
- Seals with thy mouth his immortality.
Added Text
never wearying of
Thy deep-lit eyes and/[?]/with shadowing hair above.
page: 13
Manuscript Addition: Passion & Worship
Editorial Description: Title added above DGR's manuscript, on the leaf to which the manuscript is attached, in hand of Fairfax Murray.
Editorial Description: DGR's directions to the printer.
Note: Fair copy holograph, with corrections; size: 18x11.1cm. The text is mounted crosswise in the book, running from foot to head.
Scribe: DGR
- Love brought to us a white-stoled harp-player
- Even as my lady and I lay all alone;
- Saying: “Behold, this minstrel is unknown;
- Bid him depart, for I am minstrel here:
- Only my strains are to my dear ones dear.”
- Then said I: “Through thy music's passionate tone
- Even now, Lord Love, I heard this harp make moan
- And still methought the note was
loud
deep and clear.”
- Then said my lady: “Even as thou art Love,
-
10 Lo, this is Worship this man hath for me.
- Thy mastering music walks the sunlit sea:
- But where wan water
sighs
is high
throbs within the grove
- And the wan moon is all the light thereof,
- This harp still makes my name its voluntary.”
page: 14
Note: Holograph, corrected draft; size: 22.2x17.6cm. The text is mounted crosswise in the book, running from foot to head. DGR wrote
several variations for line 10 in the upper left corner,
in the upper right corner, and at the bottom of the page.
- O lord of all compassionate control,
- O Love! let this my Lady's picture glow
- Under my hand to praise her name, and show
- Even of her inner self the perfect whole:
- That he who seeks her beauty's furthest goal,
- Beyond the
glory light that the
her
sweet glances throw
- And
[?]
refluent wave of the sweet smile, may know
- The very sky and sea-line of her soul.
- Lo! it is done. Above the
long lithe
lifted throat
-
10 The
moved mouth
[?] its
authenticates the voice and kiss,
- The shadowed eyes remember and foresee.
- Her face is made her shrine. Let all men note
- That in all years (O Love, thy gift is this!)
- They that would
know her face
look on her must come to me.
Added Text
The mouth's mould testifies of
testifies figures forth the
voice and kiss
configures its own
The mouth impersonates
[?]
perpetuates
recapitulates
corroborates the voice & kiss
propigate
communicate
authenticate
opinionate
determinate
[?]
immaginate
Added Textrecapitulate
page: 15
Note: Text copied by Charles Fairfax Murray. The text is mounted crosswise in the book, running from foot to head.
Scribe: Charles Fairfax Murray
- Warmed by her hand and shadowed by her hair
- As close she leaned and poured her heart through thee,
- Whereof the articulate throbs accompany
- The smooth black stream that makes thy whiteness fair,—
- Sweet fluttering sheet, even of her breath aware,—
- Oh let thy silent song disclose to me
- That soul wherewith her lips and eyes agree
- Like married music in Love's answering air.
- Fain had I watched her when, at some fond thought,
-
10 Her bosom to the writing closelier press'd,
- And her breast's secrets peered into her breast;
- When through eyes raised an instant, her soul sought
- My soul, and from the sudden confluence caught
- The words that made her love the loveliest.
page: 16
Note: May Morris fair copy, corrected by DGR; size: 22.2x17.5cm. The text is mounted crosswise in the book, running from foot to
head.
Scribe: May Morris
- Sweet twining hedgeflowers wind-stirred in no wise
- On this June day; and hand that clings in hand:—
- Still glades; and meeting faces scarcely fanned:—
- An osier-odoured stream that draws the skies
- Deep to its heart; and mirrored eyes in eyes:—
- Fresh hourly wonder o'er the Summer land
- Of light and cloud; and two souls softly spanned
- With one o'erarching heaven of smiles and sighs:—
- Even such their path, whose bodies lean unto
-
10 Each other's visible sweetness amorously,—
- Whose passionate hearts
are
were lean
ed by Love's
high decree
- Together on his heart for ever true,
- As the
white
cloud-foaming firmamental blue
- Rests on the blue line of a foamless sea.
page: 17
Note: fair copy; size: 22.2x17.2cm. The text is mounted crosswise in the book, running from foot to head.
Scribe: May Morris
- “I love you, sweet: how can you ever learn
- How much I love you?” “You I love even so,
- And so I learn it.” “Sweet, you cannot know
- How fair you are.” “If fair enough to earn
- Your love, so much is all my love's concern.”
- “My love grows hourly, sweet.” “Mine too doth grow,
- Yet love seemed full so many hours ago!”
- Thus lovers speak, till kisses claim their turn.
- Ah! happy they to whom such words as these
-
10 In youth have served for speech the whole day long,
- Hour after hour, remote from the world's throng,
- Work, contest, fame, all life's confederate pleas,—
- What while Love breathed in sighs and silences
- Through two blent souls one rapturous undersong.
page: 18
Note: May Morris fair copy, with a DGR correction; size: 22.2x17.5cm. The text is mounted crosswise in the book, running from foot
to head.
Scribe: May Morris
- On this sweet bank your head thrice sweet and dear
- I lay, and spread your hair on either side,
- And see the newborn woodflowers bashful-eyed
- Look through the
rippling
golden tresses here and there.
- On these debateable borders of the year
- Spring's foot half falters; scarce she yet may know
- The leafless blackthorn-blossom from the snow ;
- And through her bowers the wind's way still is clear.
- But April's sun strikes down the glades to-day;
-
10 So shut your eyes upturned, and feel my kiss
- Creep, as the Spring now thrills through every spray,
- Up your warm throat to your warm lips; for this
- Is even the hour of Love's sworn suitservice,
- With whom cold hearts are counted castaway.
page: 19
Manuscript Addition: 63
Editorial Description: The number is written below the text of the sonnet.
Manuscript Addition: The Birth Bond
Editorial Description: Received title written by Charles Fairfax Murray.
Note: holograph corrected fair copy; size: 21.7x17.8cm. Charles Fairfax Murray has added the received title, “The Birth Bond”, at the top of the
manuscript, in parentheses. The text is mounted crosswise in the book, running from foot to head.
Scribe: DGR
- Have you not noted, in some family
- Where two
dear ones from the
were born of a first marriage-bed,
- How still they own their fragrant bond, though fed
- And nursed on the forgotten breast and knee?—
-
That
How to their father's children they shall be
- In act and thought of one goodwill; but each
- Shall for the other have, in silence speech,
- And in a word complete community?
- Even so, when first I saw you, seemed it, love,
-
10 That among souls allied to mine was yet
- One nearer kindred than
I eer knew of
birth hinted of.
- O born with me somewhere that men forget,
- And though in years of sight and sound unmet,
- Known for my life's own sister well enough!
page: 19v
Note: holograph corrected copy; size: 21.7x17.8cm. The text is mounted crosswise in the book, running from foot to head.
Scribe: DGR
- What of the end, Pandora? Was it thine,
- The deed that set these fiery pinions free?
-
And
Ah! wherefore did the Olympian consistory
- In its own likeness make thee half divine?
- Was it that Juno's
face
brow might stand
the
a sign
-
Or not For ever? and
[?]
the mien of Pallas be
- A deadly
curse
thing? and that all men might see
- In Venus' eyes the gaze of Proserpine?
- What of the end? These beat their wings at will,
-
10The ill-born things, the good things turned to ill,—
- Powers of the impassioned hours prohibited.
- Aye,
shut
hug the casket
close
now! Whither they go
- Thou may'st not dare to think; nor canst thou know
- If Hope still pent there be alive or dead.
page: 20
Printer's Direction: Print this after The Birth-Bond page 132
Editorial Description: DGR's directions to the printer for the 1881
Ballads and Sonnets
volume.
Printer's Direction:
Print this after Winged Hours page 134
Editorial Description: This text is cancelled by DGR
Note: May Morris fair copy, corrected by DGR; size: 17.8x11.1cm. The text is mounted crosswise in the book, running from foot to
head.
Scribe: May Morris
- Those envied places which do know her well,
- And are so scornful of this lonely place,
-
Now for a while
Even now for once are emptied of her grace:
- Nowhere but here she is: and
as
while Love's spell
- From his predominant presence doth compel
- All alien hours, an outworn populace,
- The hours of Love fill full the echoing space
- With
their
sweet confederate music favorable.
- Now many memories make solicitous
-
10 The delicate love-lines of her mouth, till, lit
- With quivering fire, the words take wing from it;
- As here between our kisses we sit thus
- Speaking of things remembered, and so sit
- Speechless while things forgotten call to us.
page: 21
Note: fair copy; size: 22.2x17.5cm. The text is mounted crosswise in the book, running from foot to head. Charles Fairfax Murray
has written the received title, “Beauty's
Pageant,” at the top of the manuscript.
Manuscript Addition:
19
1718
Editorial Description: DGR's notes for positioning the sonnet in the sequence
Manuscript Addition: Beauty's Pageant
Editorial Description: Received title written by Charles Fairfax Murray.
Scribe: May Morris
- What dawn-pulse at the heart of heaven, or last
- Incarnate flower of culminating day,—
- What marshalled marvels on the skirt of May,
- Or song full-quired, sweet June's encomiast;
- What glory of change by nature's hand amass'd
- Can vie with all those moods of varying grace
- Which o'er one loveliest woman's form and face
- Within this hour, within this room, have pass'd?
- Love's very vesture & elect disguise
-
10 Was each fine movement,—wonder new-begot
- Of lily or swan or swan-stemmed galiot;
- Joy to his sight who now the sadlier sighs,
- Parted again; and sorrow yet for eyes
- Unborn, that read these words and saw her not
page: 22
Note: May Morris fair copy, corrected by DGR; size: 22.2x17.5cm. The text is mounted crosswise in the book, running from foot to
head.
Scribe: May Morris
- Beauty like hers is genius. Not the call
- Of Homer's or of Dante's heart sublime,—
- Not Michael's hand furrowing the zones of time,—
- Is more with compassed mysteries musical;
- Nay, not in Spring's or Summer's sweet footfall
- More gathered gifts exuberant Life bequeathes
- Than doth this sovereign face, whose love-spell breathes
- Even from its shadowed contour on the wall.
- As many men are poets in their youth
-
10 But for one sweet-strung soul the wires prolong
- Even through all change the indomitable song;
- So in likewise the envenomed years, whose tooth
- Rends shallower grace with ruin
sore forsooth
void of ruth,
- Upon this beauty's power shall wreak no wrong.
page: 23
Note: Holograph, corrected copy; size:18.1x11.1cm. The text is mounted crosswise in the book, running from foot to head.
Manuscript Addition: Silent Noon
Editorial Description: Charles Fairfax Murray has written the received title, “Silent Noon” at the top of the manuscript.
Scribe: DGR
- Your hands lie open in the long lush grass
- And the sweet points look through like rosy blooms:
-
The panting meadow
Your eyes smile peace. The pasture gleams and glooms
- With billowing skies that scatter & amass:
-
AllAround
us [?]
our nest, far as the eye can pass,
- Are golden kingcup-fields with silver edge
- Where the cow-parsley skirts the hawthorn-hedge.
- 'Tis visible silence,
as of the
like the still hour-glass.
- Deep in the sun-searched growths the dragon-fly
-
10Hangs like a blue thread loosened from the sky :—
-
Even So this
wing'd hour is drop
t
ped to us from above.
- Oh! clasp we to our hearts, for deathless dower,
- This close-companioned inarticulate hour
- When twofold silence was the song of love.
page: 24
Note: Holograph, corrected copy; size: 22.2x17.5cm. The text is mounted crosswise in the book, running from foot to head.
Manuscript Addition:
16
14
1519
Editorial Description: DGR's notes for positioning the sonnet in the sequence
Scribe: DGR
- Your hands lie open in the long fresh grass,—
-
And The
sweet
finger-points look through like rosy blooms:
- Your eyes smile peace. The pasture gleams & glooms
-
With
'Neath billowing skies that scatter and amass:
- All round our nest, far as the eye can pass,
- Are golden kingcup-fields with silver edge
- Where the cow-parsley skirts the hawthorn-hedge.
- 'Tis visible silence,
like the still
as the hourglass.
- Deep in the sun-searched growths the dragon-fly
-
10Hangs like a blue thread loosened from the sky:—
- So this wing'd hour is dropt to us from above.
- Oh! clasp we to our hearts, for deathless dower,
- This close-companioned inarticulate hour
- When twofold silence was the song of love.
page: 25
Note: May Morris copy, corrected by DGR; size: 22.2x17.5cm. The text is mounted crosswise in the book, running from foot to head.
Manuscript Addition:
21
19 20
Editorial Description: DGR's notes for positioning the sonnet in the sequence.
Manuscript Addition: last copied
Editorial Description: May Morris's note fixed to the upper right hand corner of the manuscript
Scribe: May Morris
- Even as the moon grows queenlier in mid-space
- When the sky darkens, and her cloud-rapt car
- Thrills with intenser radiance from afar,—
- So lambent, lady, beams thy sovereign
grace grace
- When the drear soul desires thee. Of that face
- What shall be said,—which, like a governing star,
- Gathers and garners from all things that are
- Their silent penetrative loveliness?
- O'er water-daisies and wild waifs of Spring,
-
10 There where the iris rears its gold-crowned sheaf
- With flowering rush and sceptered arrow-leaf,
- So have I marked Queen Dian, in bright ring
- Of cloud above and wave below, take wing
- And chase night's gloom, as thou the spirit's grief.
page: 26
Note: Charles Fairfax Murray copy. The text is mounted crosswise in the book, running from foot to head.
Scribe: Charles Fairfax Murray.
- Sweet dimness of her loosened hair's downfall
- About thy face; her sweet hands round thy head
- In gracious fostering union garlanded;
- Her tremulous smiles; her glances' sweet recall
- Of love; her murmuring sighs memorial;
- Her mouth's culled sweetness by the kisses shed
- On cheeks and neck and eyelids, and so led
- Back to her mouth which answers there for all:—
- What sweeter than these things, except the thing
-
10 In lacking which all these would lose their sweet:—
- The confident heart's still fervour; the swift beat
- And soft subsidence of the spirit's wing,
- Then when it feels, in cloud-girt wayfaring,
- The breath of kindred plumes against its feet?
page: 27
Note: Copy, corrected by DGR; size: 22.2x17.6cm. The text is mounted crosswise in the book, running from foot to head.
Manuscript Addition:
35
34 22
Editorial Description: DGR's notes for positioning the sonnet in the sequence
Scribe: May Morris
- Sometimes she is a child within mine arms,
- Cowering beneath dark wings that love must chase,
- With still tears showering and averted face,
- Inexplicably filled with faint alarms:
- And oft from mine own spirit's hurtling harms
- I crave the refuge of her deep embrace,—
- Against all ill the fortified strong place
- And sweet reserve of sovereign countercharms.
- And Love, our light at night and shade at noon,
-
10 Lulls us to rest with songs, and
screens
turns away
- All shafts of shelterless tumultuous day.
- Like the moon's growth, his face gleams through his tune;
- And as soft waters warble to the moon,
- Our answering
kisses
spirits chime one roundelay.
page: 28
Printer's Direction: Print this after Nearest Kindred page 120
Editorial Description: DGR's note for the 1881
Ballads and Sonnets
volume, written in the upper right hand corner of the manuscript. The reference is to “
The Birth-Bond.”
Note: Holograph copy corrected; size: 17.9x11.2cm. The text is mounted crosswise in the book, running from foot to head.
Scribe: DGR
- I stood where Love in brimming armfuls bore
- Slight wanton flowers and foolish toys of fruit:
- And round him ladies thronged in close pursuit,
- Fingered and lipped and proffered the strange store:
- And from one hand the petal and the core
- Savoured of sleep; and cluster and curled shoot
- Seemed from another hand like shame's salute,—
- Gifts that I felt my cheek was blushing for.
- At last Love bade my Lady give the same:
-
10 And as I looked, the dew was light thereon;
- And as I took them, at her touch they shone
- With inmost
azure
heaven-hue of the heart of flame.
- And then Love said: “Lo! when the hand is hers,
- Follies of love are love's high ministers.”
page: 29
Note: Holograph fair copy with corrections; size: 22.2x17.5cm. The text is mounted crosswise in the book, running from foot to head.
Manuscript Addition:
25
23
Editorial Description: DGR's notes for positioning the sonnet in the sequence
Scribe: DGR
- Even as a child, of sorrow that we give
- The dead, but little in his heart can find,
- Since without need of thought to his clear mind
- Their turn it is to die and his to live:—
- Even so the winged New Love smiles to receive
- Along his eddying plumes the auroral wind,
- Nor, forward glorying, casts one look behind
- Where night-racks shroud the Old Love fugitive.
- There is a change in every hour's recall,
-
10 And the last cowslip in the fields we see
- On the same day with the first corn-poppy.
- Alas for hourly change! Alas for all
- The loves that from his hand proud Youth lets fall,
- Even as the beads of a told rosary.
page: 30
Note: Charles Fairfax Murray copy. The text is mounted crosswise in the book, running from foot to head.
Manuscript Addition: see reverse of Sonnet IV for original draft.
Editorial Description: Charles Fairfax Murray's note at the top of the page.
Scribe: Charles Fairfax Murray
- Each hour until we meet is as a bird
- That wings from far his gradual way along
- The rustling covert of my soul,—his song
- Still loudlier trilled through leaves more deeply stirr'd:
- But at the hour of meeting, a clear word
- Is every note he sings, in Love's own tongue;
- Yet, Love, thou know'st the sweet strain suffers wrong,
- Full oft through our contending joys unheard.
- What of that hour at last, when for her sake
-
10 No wing may fly to me nor song may flow;
- When, wandering round my life unleaved, I know
- The bloodied feathers scattered in the brake,
- And think how she, far from me, with like eyes
- Sees through the untuneful bough the wingless skies?
page: 31
Note: holograph fair copy; size: 22.2x17.4cm. The text is mounted crosswise in the book, running from foot to head.
Scribe: DGR
- Thou lovely and beloved, thou my love;
- Whose kiss seems still the first; whose summoning eyes,
- Even now, as for our love-world's new sunrise,
- Shed very dawn; whose voice, attuned above
- All modulation of the deep-bowered dove,
- Is like a hand laid softly on the soul;
- Whose hand is like a sweet voice to control
- Those worn tired brows it hath the keeping of:—
- What word can answer to thy word,—what gaze
-
10 To thine, which now absorbs within its sphere
- My worshipping face, till I am mirrored there,
- Light-circled in a heaven of deep-drawn rays?
- What clasp, what kiss mine inmost heart can prove,
- O lovely and beloved, O my love?
page: 31v
Note: This is a holograph draft fragment of the final stanza of “
The King's Tragedy”; it is signed: D. G. Rossetti and dated Feb. 20th 1881. It is cancelled by DGR.; size: 22.2x17.4cm.
Scribe: DGR
Deleted Text
- And “O James!” she said,— “My James!” she said,—
- “Alas for the woeful thing
- That a poet true and a friend of man,
- In desperate days of bale and ban,
- Should needs be born a king!”
D. G. Rossetti Feb. 20, 1881
page: 32
Note: May Morris fair copy; size: 22.2x17.5cm. The text is mounted crosswise in the book, running from foot to head.
Manuscript Addition:
28
26
25b 27
Editorial Description: DGR's notes for positioning the sonnet in the sequence.
Manuscript Addition: (Heart's Compass)
Editorial Description: Charles Fairfax Murray has written the received title at the top of the manuscript.
Scribe: May Morris
- Sometimes thou seem'st not as thyself alone,
- But as the meaning of all things that are;
- A breathless wonder, shadowing forth afar
- Some heavenly solstice hushed and halcyon;
- Whose unstirred lips are music's visible tone;
- Whose eyes the sun-gate of the soul unbar,
- Being of its furthest fires oracular ;—
- The evident heart of all life sown and mown.
- Even such Love is ; and is not thy name Love?
-
10 Yea, by thy hand the Love-god rends apart
- All gathering clouds of Night's ambiguous art;
- Flings them far down, and sets thine eyes above;
- And simply, as some gage of flower or glove,
- Stakes with a smile the world against thy heart.
page: 33
Note: May Morris fair copy, corrected by DGR; size: 22.2x17.7cm. The line 13 variant is written below the text. The text is mounted
crosswise in the book, running from foot to head.
Manuscript Addition:
2?
2?
26
28
Editorial Description: DGR's notes for positioning the sonnet in the sequence.
Manuscript Addition: Soul-Light
Editorial Description: Charles Fairfax Murray has written the received title at the top of the manuscript.
Scribe: May Morris
- What other woman could be loved like you,
- Or how of you should love possess his fill?
- After the fulness of all rapture, still,—
- As at the end of some deep avenue
- A tender glamour of day,—there comes to view
- Far in your eyes a yet more hungering thrill,—
- Such fire as Love's soul-winnowing hands distil
- Even from his inmost ark of light and dew.
- And as the traveller triumphs with the sun,
-
10 Glorying in heat's mid-height, yet startide brings
- Wonder new-born, and still fresh transport springs
- From limpid lambent hours of day begun ;—
- Even so,
through eyes & voice within your arms, your soul doth move
- My soul with changeful light of infinite love.
page: 34
Note: May Morris fair copy, corrected by DGR; size: 22.2x17.4cm. The text is mounted crosswise in the book, running from foot to
head.
Manuscript Addition:
?
?
2?
Editorial Description: DGR's notes for positioning the sonnet in the sequence
Scribe: May Morris
- Lady, I thank thee for thy loveliness,
- Because my lady is more lovely still.
- Glorying I gaze, and yield with glad goodwill
- To thee thy tribute; by whose sweet-spun dress
- Of delicate life Love labours to assess
- My lady's absolute queendom; saying, “Lo!
- How high this beauty is, which yet doth show
- But as that beauty's sovereign votaress.”
- Lady, I saw thee with her, side by side;
-
10 And as, when night's fair fires their queen surround,
- An emulous star too near the moon will ride,—
- Even so thy rays within her luminous bound
- Were traced no more; and by the light so drown'd,
- Lady, not thou but she was glorified.
page: 35
Note: holograph corrected fair copy; size: 22.2x17.3cm. The text is mounted crosswise in the book, running from foot to head.
Manuscript Addition:
2?
2?
31
Editorial Description: DGR's notes for positioning the sonnet in the sequence
Scribe: DGR
- Love, through your
body
spirit and mine what summer eve
- Now glows with glory of all things possess'd,
- Since this day's sun of passion
rapture filled the west
- And the light sweetened as the fire took leave?
-
Now
Awhile now softlier
clinging let your bosom heave,
-
While
As in Love's harbour, between breast and breast,
- Within your cherishing arms I sink to rest,
-
Added TextAs in Love's harbour, even
your that loving breast,
-
Added TextAll care takes refuge while we sink to rest,
- And mutual dreams the bygone bliss retrieve.
- Many the days that Winter keeps in store,
-
10 Sunless throughout, or whose brief sun-glimpses
- Scarce shed the heaped snow through the naked trees.
- This day at least was Summer's paramour,
- Sun-coloured to the imperishable core
- With sweet well-being of love and full heart's ease.
page: 36
Note: May Morris fair copy; size: 22.2x17.2cm.
Manuscript Addition: 36
Editorial Description: DGR's notes for positioning the sonnet in the sequence
Scribe: May Morris
- High grace, the dower of queens; and therewithal
- Some wood-born wonder's sweet simplicity;
- A glance like water brimming with the sky
- Or hyacinth-light where forest-shadows fall;
- Such thrilling pallor of cheek as doth enthral
- The heart; a mouth whose passionate forms imply
- All music and all silence held thereby;
- Deep locks, the brow's embowering coronal;
- A round reared neck, meet column of Love's shrine
-
10 To cling to when the heart takes sanctuary;
- Hands which for ever at Love's bidding be,
- And soft-stirred feet still answering to his sign:—
- These are her gifts, as tongue may tell them o'er.
- Breathe low her name, my soul; for that means more.
page: 37
Note: holograph fair copy; size: 22.2x17.7cm.
Manuscript Addition:
3?[]
[?]
Editorial Description: DGR's notes for positioning the sonnet in the sequence.
Manuscript Addition: (Equal Troth)
Editorial Description: Charles Fairfax Murray has written the received title at the top of the manuscript.
Scribe: DGR
- Not by one measure mayst thou mete our love;
- For how should I be loved as I love thee?—
- I, graceless, joyless, lacking absolutely
- All gifts that with thy queenship best behove;—
- Thou, throned in every heart's elect alcove,
- And crowned with garlands culled from every tree,
- Which for no head but thine, by Love's decree,
- All beauties and all mysteries interwove.
- But here thine eyes and lips yield soft rebuke:—
-
10 “Then only” (say'st thou) “could I love thee less,
- When thou couldst doubt my love's equality.”
- Peace, sweet! If not to sum but worth we look,—
- Thy heart's transcendence, not my heart's excess,—
- Then more a thousandfold thou lov'st than I.
page: 38
Note: May Morris fair copy with DGR's corrections; size: 22.2x17.4cm. The variant lines 6-8 are scripted at the foot of the page
in pencil.
Manuscript Addition:
37 38
Editorial Description: DGR's notes for positioning the sonnet in the sequence
Scribe: May Morris
- Could Juno's self more
heavenly
sovereign presence wear
- Than thou, 'mid other ladies throned in grace?—
- Or Pallas, when thou bend'st with soul-stilled face
- O'er poet's page
golddeep-shadowed in thy hair?
- Dost thou than Venus seem less heavenly fair,
- When from the sea of love's insatiate bliss
- Thy breast is reared, to yield to the last kiss
- Thy sweet lips like the last wave murmuring there?
Added Text
- When o'er the sea of love's tumultuous trance
-
Hovers thy smile
doth play, & mingles with thy glance
- That sweet voice like etc.
- Before such triune loveliness divine
-
10 Awestruck I ask, which goddess here most claims
- The prize that, howsoe'er adjudged, is thine?
- Then Love breathes low the sweetest of thy names;
- And Venus Victrix to mine arms
heart doth bring
- Herself, the Helen of her guerdoning.
page: 39
Note: May Morris fair copy with DGR's corrections; size: 22.2x15.4cm.
Manuscript Addition:
22 20 21
Editorial Description: DGR's notes for positioning the sonnet in the sequence
Scribe: May Morris
- Not I myself know all my love for thee:
- How should I reach so far, who cannot weigh
- Tomorrow's dower by gage of yesterday?
- Shall birth and death, and all dark
souls
names that be
- As doors and windows bared to some loud sea,
- Lash deaf mine ears & blind my face with spray;
- And shall my sense pierce love,—the last relay
- And ultimate outpost of eternity ?
- Lo! what am I to Love, the Lord of all?
-
10 One murmuring shell he gathers from the sand,—
- One little heart-flame sheltered in his hand.
- Yet through thine eyes he grants me clearest call
- And veriest touch of powers primordial
- That any hour-girt life may understand.
page: 40
Note: holograph draft copy; size: 22.2x17.4cm.
Manuscript Addition: The Lamp's Shrine
Editorial Description: Charles Fairfax Murray has written the received title at the top of the manuscript.
Scribe: DGR
- Yet will I nowise shrink; but at Love's shrine
-
10 Myself within the beams his brow doth dart
- Will set the flashing jewel of thy heart
- In that dull chamber where it deigns to shine:
- For lo! in honour of thine excellencies
- My heart takes pride to show how poor it is.
page: 41
Editorial Description: Cancelled directions to the printer in upper right hand corner.
Editorial Description: Directions for printer below text of the poem
Scribe: May Morris
- Not in thy body is thy life at all
- But in this lady's lips and hands and eyes;
- Through these she yields thee life that vivifies
- What else were sorrow's servant & death's thrall.
- Look on thyself without her, and recall
- The waste remembrance and forlorn surmise
- That lived but in a dead-drawn breath of sighs
- O'er vanished hours and hours eventual.
- Even so much life hath the poor tress of hair
-
10 Which, stored apart, is all love hath to show
- For heart-beats and for fire-heats long ago;
- Even so much life endures unknown, even where,
- 'Mid change the changeless night environeth,
- Lies all that golden hair undimmed in death.
page: 42
Note: Holograph corrected copy; size:22.2x17.4cm.
Scribe: DGR
- When that dead face, bowered in the furthest years,
- Which once was all the life years held for thee,
- Can now scarce bid the tides of memory
- Cast on thy soul a little spray of tears,—
- How canst thou gaze into these eyes of hers
- Whom now thy heart delights in, and not see
- Within each orb Love's philtred euphrasy
- Make them of
buried troth remembrancers?
broken troth the star-chambers?
- Nay, pitiful Love, nay, loving Pity! Well
-
10 Thou knowest that in these twain I have confess'd
-
Matins & vespers Two very voices of thy summoning bell.
-
Ah mercy
Nay, Master, shall not Death make manifest
- In these the
mystic culminant changes
which approve
- The love-moon
which
that shall light my soul to Love?’
page: 43
Editorial Description: Fairfax Murray's note added to page on which the manuscript has been mounted
Note: Holograph corrected copy; size: 17.9x11.1cm.
Scribe: DGR
- “Thou ghost,” I said, “and is thy name Today?—
- Yesterday's son, with such
a beaten
an abject brow!—
- And can Tomorrow be more pale than thou?”
- While yet I spoke, the silence answered: “Yea,
- Henceforth our issue is all grieved and grey,
- And each beforehand mak
es
-eth such
such poor avow
- As of
dead
old leaves beneath the budding bough
-
And
Or night-drift that the
sunbeams cast
sundawn shreds away.”
- Then cried I: “Mother of many malisons,
-
10 O Earth, receive me to thy dusty bed!’
- But therewithal the tremulous silence said:—
- “Lo! Love yet bids thy lady greet thee once:—
- Yea, twice,—whereby thy life is still the sun's;
- And thrice,—whereby the shadow of death is dead.”
page: 44
Manuscript Addition: Sleepless Dreams
Editorial Description: Received title copied at top by Fairfax Murray
Note: Holograph copy with corrections; size: 21.9x17.4cm. The cancelled variant lines 9-12 are scripted at the foot on the page.
Scribe: DGR
- Set all in jet, yet glimmering like a star,
- O vain night sweeter than the nights of youth,
- Why should my heart within thy ring, forsooth,
- Now beat, as the bride's finger-pulses are
- Quickened within the girdling golden bar?
- What wings are these that fan my pillow smooth?
- And why does Sleep, waved back by Joy & Ruth,
- Tread softly round and gaze at me from far?
- Nay, night! would false Love
upon
spread
feign a grove
in thee
-
10 That darkens round
my
the head with leaves, and bears
- Rest for
worn
man's eyes and music for
sore
his ears?
- O lonely night! art thou not known to me,
-
Alas! how brief a grace, how doled to me,
-
(To us, hard Love! now riots through my spheres
-
Of life, and holds awake mine eyes & ears?
-
O solitary night! thy shade should be &c
- A thicket hung with masks of mockery
- And watered with the wasteful warmth of tears?
page: 45
Editorial Description: Manuscript crossed through twice by DGR
Manuscript Addition:
62
Editorial Description: DGR's note for positioning the sonnet in the sequence
Note: Holograph draft copy, cancelled; size: 21.7x17.2cm.
-
Set all in jet, but
Girt in dark growths, yet glimmering
like a
with one star,
- O vain night sweeter than the nights of youth,
- Why should my heart
within [?]
within thy ring
within thy spell, forsooth,
- Now beat, as the bride's finger-pulses are
- Quickened within the girdling golden bar?
- What wings are these that fan my pillow smooth?
- And why does Sleep, waved back by Joy and Ruth,
- Tread softly round and gaze at me from far?
page: 45v
Editorial Description: DGR has crossed out the sonnet
Note: Holograph fair copy; 21.7x17.2cm.
Scribe: DGR
- Would God your health were as this month of May
- Should be, were this not Englnd,—and your face
- Abroad, to give the gracious sunshine grace
- And laugh beneath the budding hawthorne spray!
- But here the hedgerows pine from green to grey
- While yet May's lyre is tuning, and her song
- Is weak in shade that should in sun be strong,
- And your pulse springs not to so faint a lay.
- If in my life be breath of Italy,
-
10 Would God that I might yield it all
for
to you!
- So, when such grafted warmth had burgeoned through
- The languor of your Maytime's hawthorne tree,
- My spirit at rest should walk unseen & see
- The garland of your beauty bloom anew.
page: 46
Manuscript Addition:
41 40
Editorial Description: DGR's note for positioning the sonnet in the sequence
Note: Holograph fair copy corrected; size: 22.2x17.6cm. The title seems to have been added to the MS after the text was composed.
Scribe: DGR
- Such are we now.
; yet
Ah! may our hope forecast
-
10
Haply
Indeed one hour again, when on this stream
- Of darkened love once more the light shall gleam?—
- An hour how slow to come, how quickly past,—
- Which blooms and fades, and only leaves at last,
- Faint as
dead
shed flowers, the attenuated dream.
page: 46v
Manuscript Addition: Mem. /
To couple this with the piece now called the / Water Willow, & to call them jointly — / Parted Presence I. Worlds/Lands Apart or From Land to Land / II.
Worlds Apart & From World to World / Between Land / Between World / Life Parted / Death Parted
/ The two following poems to be / finally called / Parted Presence / 1. A Life-Parting / 2. A Death-Parting
Editorial Description: At the top of the page are DGR's notes for alterations in the titles of the poems that come to us as “
Parted Presence” and “
A Death-Parting.” It is clear that this sheet's notations were made around the time of the composition of “
Parted Presence” (1875-1876), and not of the sonnet on the overleaf (1871).
Scribe: DGR
Note: The fragment of the poem is written at the bottom of the page.
- Your voice is not on the air,
- Yet, love, I can hear your voice;
- It bids my heart to rejoice
- As knowing your heart is there,—
- A music sent to declare
- The truth of your steadfast choice.
- O love, how sweet is your voice!
page: 47
Note: May Morris fair copy with DGR's corrections; size:22.2x17.7cm.
Scribe: May Morris
- Like labour-laden moonclouds faint to flee
- From winds that sweep the winter-bitten wold,—
- Like multiform circumfluence manifold
- Of
the stark night
night's flood-tide,—like terrors that agree
- Of
fire dumb
hoarse- tongued
fire and inarticulate sea,—
- Even such, within some glass dimmed by our breath,
- Our hearts discern wild images of Death,
- Shadows and shoals that edge eternity.
- Howbeit athwart Death's imminent shade doth soar
-
10 One Power, than flow of stream or flight of dove
- Sweeter to glide around, to brood above.
- Tell me, my heart,—what angel-greeted door
- Or threshold of wing-winnowed threshing-floor
- Hath
lord
guest fire-fledged as thine, whose
guest
life
lord is Love?
page: 48
Manuscript Addition:
4[?] 48
Editorial Description: DGR's note for positioning the sonnet in the sequence
Scribe: May Morris
- I deemed thy garments, O my Hope, were grey,
- So far I viewed thee. Now the space between
- Is passed at length; and garmented in green
- Even as in days of yore thou stand'st to-day.
- Ah God! and but for lingering dull dismay,
- On all that road our footsteps erst had been
- Even thus commingled, and our shadows seen
- Blent on the hedgerows and the water-way.
- O Hope of mine whose eyes are living love,
-
10 No eyes but hers,—O Love and Hope the same!—
- Lean close to me, for now the sinking sun
- That warmed our feet scarce gilds our hair above.
- O hers thy lips
voice and very hers thy name!
- Alas, cling round me, for the day is done!
page: 49
Manuscript Addition:
4[?] 49
Editorial Description: DGR's note for positioning the sonnet in the sequence
Scribe: May Morris
- Kiss once again.
Thank?
Bless Love and Hope Full many a withered year
- Whirled past us, eddying to its chill doomsday;
- And clasped together where the blown leaves lay,
- We long have knelt and wept full many a tear.
- Yet lo! one hour at last, the Spring's compeer,
- Flutes softly to us from some green byway:
- Those years, those tears are dead, but only they:—
- Kiss once again, my love
Bless love and hope, mine own; for we are here.
- Cling heart to heart; nor of this hour demand
-
10 Whether in very truth, when we are dead,
- Our hearts shall wake to know Love's golden head
- Sole sunshine of the imperishable land;
- Or but discern, through night's unfeatured scope,
- Scorn-fired at length the illusive eyes of Hope.
page: 50
Manuscript Addition: 50
Editorial Description: DGR's numbering added to establish the sonnet's position in thew sequence
Scribe: May Morris
- Love, should I fear death most for you or me?
- Yet if you die, can I not follow you,
- Forcing the straits of change? Alas! but who
- Shall wrest a bond from night's inveteracy,
- Ere yet my hazardous soul put forth, to be
- Her warrant against all her haste might rue?—
- Ah! in your eyes so reached what dumb adieu,
- What unsunned gyres of waste eternity?
- And if I die first, shall death be then
-
10 A lampless watchtower whence I see you weep?—
- Or (woe is me!) a bed wherein my sleep
- Ne'er notes (as death's dear cup at last you drain,)
- The hour when you too learn that all is vain
- And that Hope sows what Love shall never reap?
page: 51
Manuscript Addition: 45
Editorial Description: DGR's note for positioning the sonnet in the sequence; positioned left of the title.
Manuscript Addition: 23
Editorial Description: DGR's note for positioning the sonnet in the sequence.
Note: Fair copy, holograph; size: 22.2x17.4cm.
Scribe: DGR
- Because our talk was of the cloud-control
- And moon-track of the journeying face of Fate,
- Her kisses faltered at their ivory gate
,
- And her eyes dreamed towards a distant goal:
- But soon, remembering her how brief the whole
- Of joy, which its own hours annihilate,
- Her set gaze gathered, thirstier than of late,
- And as she kissed, her mouth became her soul.
- Thence in what ways we wandered, and how strove
-
10 To build with fire-tried vows the piteous home
- Which memory haunts & whither sleep may roam,—
- They only know for whom the roof of Love
- Is the still-seated secret of the grove,
- Nor spire may rise nor bell be heard therefrom.
page: 52
Scribe: Charles Fairfax Murray
- What shall be said of this embattled day
- And armèd occupation of this night
- By all thy foes beleaguered, now when sight
- Nor sound denotes the loved one far away?
- Of these thy vanquished hours what shalt thou say,—
- As every sense to which she dealt delight
- Now labours lonely o'er the stark noon-height
- To reach the sunset's desolate disarray?
- Stand still, fond fettered wretch! while Memory's art
-
10 Parades the Past before thy face, and lures
- Thy spirit to her passionate portraitures:
- Till the tempestuous tide-gates flung apart
- Flood with wild will the hollows of thy heart,
- And thy heart rends thee, and thy body endures.
page: 53
Scribe: Charles Fairfax Murray
- The mother will not turn, who thinks she hears
- Her nursling's speech first grow articulate;
- But breathless with averted eyes elate
- She sits, with open lips and open ears,
- That it may call her twice. Mid doubts and fears
- Thus oft my soul has hearkened; till the song,
- A central moan for days, at length found tongue,
- And the sweet music welled and the sweet tears.
- But now, whatever while the soul is fain
-
10 To list that wonted murmur, as it were
- The speech-bound sea-shell's low importunate strain,—
- No breath of song, thy voice alone is there,
- O bitterly beloved! and all her gain
- Is but the pang of unpermitted prayer.
page: 54
Manuscript Addition: The first draft of this sonnet appears to be that on the reverse of Lost on Both Sides— Sonnet 91. It is dated “Dies Atra
1st May 1869.” A second much
cancelled draft is on the reverse of the Landmark Sonnet 57 the following is a clear copy of this
Editorial Description: Note by Fairfax Murray along right margin of the text.
Note: Holograph fair copy; size: 17.6x10.8cm.
Scribe: DGR
- There came an image in Life's retinue
- That had Love's wings and bore his gonfalon:
- Fair was the web, and nobly wrought thereon,
- O soul-sequestered face, thy form and hue!
- Bewildering sounds, such as Spring wakens to,
- Shook in its folds; and through my heart its power
- Sped trackless as the immemorable hour
- When birth's dark portal groaned and all was new.
- But a veiled woman followed, and she caught
-
10 The banner rounds its staff, to furl and cling,—
- Then plucked a feather from the bearer's wing,
- And held it to his lips that stirred it not,
- And said to me, “Behold, there is no breath:
- I and this Love are one, and I am Death.”
page: 55
Manuscript Addition: Dante & Beatrice
Editorial Description: Note written along right margin of the text by Charles Fairfax Murray; it refers to the drawing
Dante and Beatrice
, the sketch on the verso of this page.
Editorial Description: The sonnet is cancelled with two strokes across the text
Note: holograph fair copy with corrections; size:21.6x17.7cm.
Scribe: DGR
Deleted Text
- I sat with Love upon a
little
woodside well,
- Leaning across the water, I and he;
- Nor ever did he speak nor looked at me,
- But touched his lute wherein was audible
- The certain secret thing he had to tell:
- Only our mirrored eyes met silently
- In the low wave; and that sound came to be
- The passionate voice I knew; and my tears fell.
- And at their fall, his eyes beneath grew hers;
-
10And with his foot and with his wing-feathers
- He swept the
lymph
spring that watered my heart's drouth.
- Then the dark ripples spread to waving hair,
- And as I stooped, her own lips rising there
- Bubbled with brimming kisses at my mouth.
page: 55v
Note: Pencil Sketch, 21.6 x 17.7 cm. It may illustrate the sonnet on the reverse side, “
Willowwood I..” It depicts Dante, carrying a book, looking back at Beatrice who is passing him; there are stairs sketched in at the right.
The sketch is clearly a version of the left
panel of
The Salutation of Beatrice .
Figure: Pencil Sketch, 21.6 x 17.7 cm.
page: 56
Editorial Description: The sonnet is cancelled with two cross strokes.
Note: Holograph corrected copy; size: 21.8x17.6cm.
Scribe: DGR
page: 56v
Editorial Description: Text cancelled with two cross strokes
Manuscript Addition: 58
Editorial Description: Number added, not by DGR, at top right hand corner
Note: Corrected holograph fair copy; size:21.8x17.6cm. Beneath the text, there appears to be a rough sketch of a woman's draped
arm and shoulder.
Scribe: DGR
- O bocca che nell' ora del compenso
- Tante volte baciai, e tante volte
- Sentii da te, con mille voti accolte,
-
Parole [?] d'un
Quella parola d'immortal
e
assenso
consenso:—
- O possa dei tuoi baci il sacro incenso
- Ravvolger sempre in nuvole più folte
- Le antiche tante omai larve sepolte,
- Empiendo il ciel del nostro amore immenso!
- Vieni, beata bocca, O vieni ancora!
-
10
Lunghe da te
Pensando a te, l'amor
e da te disìa
- Dolce rugiada in
ben rosata
calorosa via.
in roseata via(?)
- Non sei tu quella in cui ora ed ogn'ora
- Io vivo sol,— cui sol nell'alma mia
- La vita, e la morte, e l'amorè, adora?
implora
Maggio 1869
page: 57
Note: Holograph copy, corrected; size: 22x17cm.
Scribe: DGR
- O ye,
that walk,
all ye that walk in Willowwood,
- That walk with hollow faces burning white;
- What
depth, alas!
fathom-depth of soul-struck widowhood,
- What long, what longer
years
hours, one
longest
lifelong night,
- Ere ye again, who so in vain have wooed
- Your
hearts to rest
last hope lost, who so in vain invite
- Your lips
to feast on their forbidden food
unto their unforgotten food,
- Ere ye,
again
ere ye again
, shall see the light!
-
Yea view
Alas! the bitter banks in Willowwood,
-
10
Where
With grief-spurge
grows and
wan, with shame-wort burning red:
-
O God
Alas! if ever such a pillow could
- Give rest at all to any weary head,
- O God alone unknown, the God of good,
- How could it be till brain and soul were dead?
page: 58
Manuscript Addition: 59
Editorial Description: Number written at top right hand corner, not by DGR.
Editorial Description: Text cancelled with two large strokes
Note: Corrected holograph fair copy; size: 21.6x16.7cm. The variants for lines 12-14 are at the bottom of the page.
Scribe: DGR
- ‘O ye, all ye that walk in Willowwood,
- That walk with hollow faces burning white;
- What fathom-depth of soul-struck widowhood,
- What long, what longer hours, one lifelong night,
- Ere ye again, who so in vain have wooed
- Your last hope lost, who so in vain invite
- Your lips to that their unforgotten food,
- Ere ye, ere ye again
may
shall see the light!
- Alas! the bitter banks
of
in Willowwood,
-
10 With
grief-spurge
tear-spurge wan, with
love-wort
blood-wort burning red:
- Alas! if
only
ever such a pillow could
- Steep deep
your life
the soul in sleep till
it
she were dead,—
- Better
the very soul cease
all life forget her than this thing,
- That Willowwood should hold
your
her wandering!”
Added Text
- Alas! if ever such a pillow could
- Give rest at all to any weary head,
- O God alone unknown, the God of good,
- How should it be till brain & soul were dead!
page: 58v
Note: Holograph copy, corrected; size: 21.6x16.7cm.
Scribe: DGR
- What
withering foulness in life's
smouldering
obsolete
transitive senses in
life's
death's sick delay
- Or seizure of malign vicissitude
- Can rob this body of honour, or denude
- This soul of wedding-raiment, worn today?
- For lo! even now my lady's lips did play
- With these my lips such
jubilant
consonant interlude
- As
mighty
laurelled Orpheus
won not
longed for when he wooed
- The half-drawn hungering face with that last lay.
-
As never yet Apollo's mastering word
-
Won from the winds to yield his roundelay
-
As never Orpheus love-bewildered word
-
Won from his love with that last roundelay
- I was a child beneath her touch,—a man
-
10 When breast to breast we clung, even I and she,—
- A spirit when her spirit looked through me,—
- A god when
these our
all our life-breath
s met to fan
-
Our
The
Our life-blood, till
the imperial
love's emulous
immingling
ambrosial
affluent
Love's orient ardours ran,
- Fire within fire, desire in deity.
page: 59
Note: Holograph draft; size: 22x16.7cm.
Scribe: DGR
- So sang he: and as meeting rose & rose
- Together cling through the wind's wellaway,
- Nor fell at once, yet near the end of day
- The leaves drop loosened till the heart-stain flows,—
- So when the song died did the kiss unclose;
- And
the
her face fell back drowned, and in the grey
- Still water nothing but my own face lay:
- How thence I went, I know not if Love knows.
- I know that here in Willowwood I
shall
fare
-
10
With her the parted paths
For ever to and fro, but here no spell
- To find again with her the vanished well:
- And in what glade she waits, and holds her hair
- Aside, and listens to the sunken air,
- The talking willows know but may not tell.
page: 60
Note: Holograph corrected copy; size: 21.9x16.5cm.
Scribe: DGR
- I know that here in Willowwood I fare
-
10 For ever to and fro, but here no spell
-
To find again with her
To track my footprints to the vanished well:
- And in what
glades
glade
s
she
waits
seeks, and holds her hair
- Aside, and listens to the sunken air,
-
The talking
whispering willows know but may not tell.
-
The willows & these waters may not tell.
-
The whispers of these willows will not tell.
- The willows & these waters may not tell.
page: 61
Editorial Description: Text crossed through with two strokes.
Manuscript Addition: 60
Editorial Description: Number added in upper right hand corner, not by DGR
Note: Holograph corrected copy; size: 21.7x16.9cm. The variant lines 9-14 are written as a unit at the bottom of the page.
Scribe: DGR
- So sang he: and as meeting rose and rose
- Together cling through the wind's wellaway
- Nor change at once, yet near the end of day
- The leaves drop loosened where the heart-stain glows,—
- So when the song died did the kiss unclose;
- And her face fell back drowned, and was as grey
- As its grey eyes; and if
I
it ever may
-
Behold it more
Meet mine again I know not if Love knows.
- Only I know that I leaned low and drank
-
10A long draught
of
from the water where she sank,
- Her breath and all her tears and
all her
her whole soul:
- And as I drank, I know I felt Love's face
-
Laid on my neck
Pressed on my neck with moan of pity and grace,
- Till both our heads were in his aureole.
Added Text
- I know that here in Willowwood I fare
- For ever to and fro, but here no spell
- To track my footprints to the vanished well:
- And in what glade she seeks, & holds her hair
- Aside, and listens to the sunken air,
- These whispering trees have heard but may not tell.
page: 61v
Note: Holograph corrected fair copy; size: 21.7x16.9cm.
Scribe: DGR
-
O thou sad ghost
“Thou Ghost,” I said, “and is thy name Today?—
- Yesterday's son, with such an
beaten
abject brow!—
- And can Tomorrow be more pale than thou?”
- While yet I spoke, the silence answered: “Yea,
- Henceforth our issue is all grieved and grey,
- And each beforehand
maketh make
s
vile
such poor avow
- As of
dead
old leaves beneath the budding bough
- Or night-drift that the
sunshine casts
sundawn shreds away.”
- Then cried I: “Mother of many malisons,
-
10 O Earth, receive me to thy dusty bed!”
- But therewithal the tremulous silence said:—
- “Lo! Love yet bids thy lady greet thee once:—
- Yea, twice,—whereby thy life is still the sun's;
- And thrice,—whereby the shadow of death is dead.”
page: 62
Manuscript Addition:
54 53
Editorial Description: DGR's note for positioning the sonnet in the sequence.
Note: copy with three DGR corrections; size: 22.2x17.5cm.
Scribe: May Morris
- What of her glass without her? The blank grey
- There where the pool is blind of the moon's face.
- Her dress without her? The tossed empty space
- Of cloud-rack whence the moon has passed away.
- Her paths without her? Day's appointed sway
- Usurped by desolate night. Her pillowed place
- Without her? Tears, ah me! for love's good grace,
- And cold forgetfulness of night or day.
- What of
my
the heart without her? Nay,
my
poor heart,
-
10 Of thee what word remains ere speech be still?
- A wayfarer by barren ways and chill,
- Steep ways and weary, without her thou art,
- Where the long cloud, the long wood's counterpart,
- Sheds doubled darkness
o'er
up the labouring hill.
page: 63
Note: copy with one DGR correction; size: 22.2x17.5cm.
Manuscript Addition: 54
Editorial Description: DGR's note for positioning the sonnet in the sequence
Scribe: May Morris
- Sweet Love,—but oh! most dread Desire of Love
- Life-thwarted. Linked in gyves I saw them stand,
- Love shackled with Vain-longing, hand to hand:
- And one was eyed as the blue vault above:
- But hope tempestuous like a fire-cloud hove
- I' the other's gaze, even as in his whose wand
- Vainly all night with spell-
girt
wrought power has spann'd
- The unyielding caves of some deep treasure-trove.
- Also his lips, two writhen flakes of flame,
-
10 Made moan : “Alas O Love, thus leashed with me!
- Wing-footed thou, wing-shouldered, once born free:
- And I, thy cowering self, in chains grown tame,—
- Bound to thy body and soul, named with thy name,—
- Life's iron heart, even Love's Fatality.”
page: 64
Printer's Direction: print this after Willowwood page 122
Editorial Description: DGR's note to the printer, written beside the title
Note: Holograph corrected copy, possibly draft copy; size: 22.2x17.6cm. There is a swirling tubular doodle below text of the poem.
Scribe: DGR
- The hour which might have been yet might not be,
- Which man's and woman's heart conceived & bore
- Yet whereof life was barren,—on what shore
- Bides it the breaking of Time's weary sea?
- Bondchild of all consummate joys set free,
- It
somewhere sighs and serves, and
standing mute before
- The house of Love, hears through the echoing door
- His hours elect in choral consonancy.
page: 65
Note: holograph fair copy; size: 22.2x17.6cm.
Manuscript Addition:
55 56
Editorial Description: two numbers not by DGR written on the manuscript
Scribe: DGR
- To be a sweetness more desired than Spring;
- A bodily beauty more acceptable
- Than the wild rose-tree's arch that crowns the fell;
- To be an essance more environing
- Than wine's drained juice; a music ravishing
- More than the passionate pulse of Philomel;—
- To be all this 'neath one soft bosom's swell
- That is the flower of life:—how strange a thing!
- How strange a thing to be what Man can know
-
10 But as a sacred secret! Heaven's own screen
- Hides her soul's purest depth & loveliest glow;
- Closely withheld, as all things most unseen,—
- The wave-bowered pearl,—the heart-shaped seal of green
- That flecks the snowdrop underneath the snow.
page: 66
Manuscript Addition: 57
Editorial Description: two numbers not by DGR written on the manuscript
Note: holograph fair copy; size: 22.2x17.6cm.
Scribe: DGR
- She loves him; for her infinite soul is Love,
- And he her lodestar. Passion in her is
- A glass facing his fire, where the bright bliss
- Is mirrored, and the heat returned. Yet move
- That glass, a stranger's amorous flame to prove,
- And it shall turn, by instant contraries,
- Ice to the moon; while her pure fire to his
- For whom it burns, clings close i' the heart's alcove.
- Lo! they are one. With wifely breast to breast
-
10 And circling arms, she welcomes all command
- Of love,—her soul to answering ardours fann'd:
- Yet as morn springs or twilight sinks to rest,
- Ah! who shall say she deems not loveliest
- The hour of sisterly sweet hand-in-hand?
page: 67
Manuscript Addition: 52 55
Editorial Description: two numbers not by DGR written on the manuscript
Note: holograph fair copy; size: 22.2x17.5cm.
Scribe: DGR
- If to grow old in Heaven is to grow young,
- (As the Seer saw and said,) then blest were he
- With youth for evermore, whose heaven should be
- True Woman, she whom these weak notes have sung,
- Here and hereafter,—choir-strains of her tongue,—
- Sky-spaces of her eyes,—sweet signs that flee
- About her soul's immediate sanctuary,—
- Were Paradise all uttermost worlds among.
- The sunrise blooms and withers on the hill
-
10 Like any hillflower; and the noblest troth
- Dies here to dust. Yet shall Heaven's promise clothe
- Even yet those lovers who have treasured still
- This test for love:—in every kiss sealed fast
- To feel the first kiss and forbode the last.
page: 68
Manuscript Addition: 59
Editorial Description: number written on the manuscript, not by DGR
Note: holograph copy, heavily corrected; size: 22.2x17.5cm.
Scribe: DGR
- Love
held to me
to his singer held a glistening
laurel leaf,
- And said: “The rose-tree and the apple-tree
- Have fruits to vaunt or flowers to lure the bee;
- And golden shafts are in the feathered sheaf
- Of the great harvest-marshal, the year's chief,
- Victorous Summer;
yea
aye, and 'neath warm sea
- Strange secret grasses lurk inviolably
- Between the filtering channels of sunk reef.
page: 69
Manuscript Addition: 59
Editorial Description: number written on the manuscript, not by DGR
Note: holograph fair copy; size: 22.2x17.4cm.
Scribe: DGR
- Love to his singer held a glistening leaf,
- And said: “The rose-tree and the apple-tree
- Have fruits to vaunt or flowers to lure the bee;
- And golden shafts are in the feathered sheaf
- Of the great harvest-marshal, the year's chief,
- Victorous Summer; aye, and 'neath warm sea
- Strange secret grasses lurk inviolably
- Between the filtering channels of sunk reef.
- All are my blooms; and all sweet blooms of love
-
10 To thee I gave while Spring and Summer sang;
- But Autumn stops to listen, with some pang
- From those worse things the wind is moaning of.
- Only this laurel dreads no winter days:
- Take my last gift; thy heart hath sung my praise.”
page: 70
Note: holograph fair copy; size: 22.2x17.4cm.
page: 71
Manuscript Addition:
80 60
Editorial Description: two numbers not by DGR written on the manuscript
Note: corrected draft holograph; size: 22.2x17.3cm.
Scribe: DGR
- As growth of form or momentary glance
- In a child's features will recall to mind
- The father's with the mother's face combin'd,—
- Sweet interchange that memories still enhance:
—
- And yet, as childhood's years and youth's advance,
- The gradual mouldings leave one stamp behind,
-
And
Till in
the blended likeness now we find
- A separate man's or woman's countenance:—
-
So in such wise
So in the Song, the singer's Joy and Pain,
-
10
Song's
Its very parents,
'neath his power
evermore expand
- To bid the passion's
fullgrown birth remain
symbolled growth
fullgrown birth remain,
- By Art's transfiguring essance subtly spann'd;
- And from that song-cloud shaped as a man's hand
- There comes the
[?]
sound as of abundant rain.
page: 72
Manuscript Addition: 60
Editorial Description: number written on manuscript, not by DGR
Note: holograph fair copy; size: 22.2x17.4cm. The title of the second section of the sonnet sequence is written above the title
of the sonnet.
Scribe: DGR
- As growth of form or momentary glance
- In a child's features will recall to mind
- The father's with the mother's face combin'd,—
- Sweet interchange that memories still enhance:
- And yet, as childhood's years & youth's advance,
- The gradual mouldings leave one stamp behind,
- Till in the blended likeness now we find
- A separate man's or woman's countenance:—
- So in the Song, the singer's Joy and Pain,
-
10 Its very parents, evermore expand
- To bid the passion's fullgrown birth remain,
- By Art's transfiguring essance subtly spann'd;
- And from that song-cloud shaped as a man's hand
- There comes the sound as of abundant rain.
page: 72v
Manuscript Addition: Transfigured
Note: this verso page is otherwise blank; size: 22.2x17.4cm.
page: 73
Manuscript Addition: D G Rossetti
Editorial Description: DGR's signature below the poem
Manuscript Addition: Sonnet LXI
Editorial Description: Written in another hand beside DGR's original title.
Note: holograph corrected copy; size: 17.8x11.3cm.
Scribe: DGR
- By thine own tears thy song must tears beget,
- O Singer! Magic mirror thou hast none
- Except thy manifest heart; and save thine own
- Anguish or ardour, else no amulet.
- Cisterned in Pride, verse is the feathery jet
- Of soulless air-flung fountains; nay, more dry
- Than the Dead Sea for throats that thirst & sigh,
- That song o'er which no singer's lids grew wet.
- The Song-god—He the Sun-god—is no slave
-
10 Of thine: thy Hunter he, who for thy soul
- Fledges his shaft: to no
transferred
august control
- Of thy
skilled hand
's skill his quivered store he gave:
- But if thy lips' loud cry leap to his smart,
- The inspir'd recoil shall pierce thy brother's heart.
page: 74
Manuscript Addition:
81 61
Editorial Description: two numbers written on the manuscript, not by DGR
Note: holograph fair copy; size: 22.2x17.5cm.
Scribe: DGR
- By thine own tears thy song must tears beget,
- O Singer! Magic mirror thou hast none
- Except thy manifest heart; and save thine own
- Anguish or ardour, else no amulet.
- Cisterned in Pride, verse is the feathery jet
- Of soulless air-flung fountains; nay, more dry
- Than the
d
Dead
s
Sea for throats that thirst & sigh,
- That song o'er which no singer's lids grew wet.
- The Song-god—He the Sun-god—is no slave
-
10 Of thine: thy Hunter he, who for thy soul
- Fledges his shaft: to no august control
- Of thy skilled hand his quivered store he gave:
- But if thy lips' loud cry leap to his smart,
- The inspir'd recoil shall pierce thy brother's heart.
page: 75
Manuscript Addition:
60
64 62
Editorial Description: three numbers not by DGR written on the manuscript
Note: holograph fair copy; size: 22.2x17.3cm.
Scribe: DGR
- Some prisoned moon in steep cloud-fastnesses,—
- Throned queen and thralled; some dying sun whose pyre
- Blazed with momentous memorable fire;—
- Who hath not yearned & fed his heart with thee?
- Who, sleepless, hath not anguished to appease
- Tragical shadow's realm of sound and sight
- Conjectured in the lamentable night? . . . .
- Lo! the soul's sphere of infinite images!
- What sense shall count them? Whether it forecast
-
10 The rose-winged hours that flutter in the van
- Of Love's unquestioning unrevealèd span,—
- Visons of golden features: or that last
- Wild pageant of the accumulated past
- That clangs and flashes for a drowning man.
page: 76
Manuscript Addition: 63 67 70
Editorial Description: Three numbers written on the manuscript. Numbers 63 and 67 appear to be in DGR's hand.
Editorial Description: Sonnet cancelled with two cross lines.
Note: Corrected holograph copy, cancelled; size: 21.8x17.7cm.
Scribe: DGR
- The changing guests, each in a different mood,
- Sit at the roadside table and arise:
-
Are not their lives and thy life
And every life among them, in likewise,
-
Each
Is a soul's board set daily with new food.
?
- What man has bent o'er his son's sleep, to brood
- How that face shall watch his when cold it lies?—
- Or thought, as his own mother kissed his eyes,
- Of what her kiss was when his father wooed?
- May not this ancient room thou sit'st in dwell
-
10 In separate living souls
, for joy
, for
and
or pain?
- Nay, all its corners may be painted plain
- Where Heaven shows pictures of some life spent well;
- And may be stamped, a memory all in vain,
- Upon the sight of lidless eyes in Hell.
page: 76v
Editorial Description: Sonnet cancelled with three cross lines
Note: Corrected holograph copy, possibly draft; size: 21.8x17.7cm.
Scribe: DGR
- At length within this book I found
express pourtrayed
-
10
The first young image of that
Newborn that Paradisal Love of his,
-
But
And simple like a child;
by
with whose clear aid
- I understood. To such a child as this,
- Christ, charging well his chosen ones, forbade
- Offence: “for lo! of such my kingdom is.”
page: 77
Manuscript Addition: 63 64
Editorial Description: two numbers written on the manuscript not by DGR.
Manuscript Addition: or Inclusiveness
Editorial Description: alternate title added at the top of the page
Note: corrected holograph fair copy; size: 21.8x17.8cm.
Scribe: DGR
- The changing guests, each in a different mood,
- Sit at the roadside table and arise.
- Are not their lives and thy life, in likewise,
- Each a soul's board set daily with new food?
- What man has bent o'er his son's sleep, to brood
- How that face shall watch his when cold it lies?—
- Or thought,
when
as his own mother kissed his eyes,
- Of what her kiss was when his father wooed?
- May not this ancient room thou sit'st in dwell
-
10 In seperate living souls for joy,
and
for pain?
-
Yea
Nay, all its corners may be painted plain
- Where Heaven shows pictures of some life spent well;
- And may be stamped, a memory all in vain,
- Upon the sight of lidless eyes in Hell.
page: 78
Manuscript Addition: 60 62 64
Editorial Description: three numbers not by DGR written on the manuscript
Manuscript Addition: heart-pulse yearning hungry ever holds dear
Editorial Description: DGR's alternate possible readings, at foot of the MS; their placement within the text is uncertain. The alternate reading
for line 9, placed at the foot of the page just above this
sequence of variants, is specifically linked by DKG to line 9, but these other variants have indeterminate references—though
reasonable surmises might be made.
Note: holograph corrected copy; size: 22.2x17.4cm. The variant for line 9 is at the bottom of the page.
Scribe: DGR
- The cuckoo-throb, the
first heartbeat of the Spring;
- The rosebud's blush that leaves it as it grows
- Into the full-eyed fair unblushing rose;
- The summer clouds that visit every wing
- With fires of sunrise and of sunsetting;
- The furtive flickering streams to light re-born
- 'Mid airs new-fledged and valorous lusts of morn,
- While all the daughters of the daybreak sing:—
- These ardour loves,
These pleasure etc. and memory: and when flown
-
10 All joys, and through dark forest-boughs in flight
- The wind swoops onward brandishing the light,
- Even yet the rose-tree's verdure left alone
-
Shall
Will flush all ruddy when
though the rose is
be gone;
- With ditties and with dirges infinite.
page: 79
Editorial Description: Text cancelled with two cross lines
Note: Holograph fair copy, cancelled; size: 21.8x17.3cm.
Scribe: DGR
- As two whose love, first foolish, widening scope,
- Knows suddenly, with music high and soft,
- The Holy of holies; who because they scoff'd
- Are now amazed with shame, nor dare to cope
- With the whole truth aloud, lest heaven should ope;
- Yet, at their meetings, laugh not as they laugh'd
- In speech; nor speak, at length; but sitting oft
- Together, within hopeless sight of hope
- For hours are silent:—So it happeneth
-
10 When Work and Will awake too late, to gaze
- After their life sailed by, and hold their breath.
- Ah! who shall dare to search through what sad maze
- Thenceforth their incommunicable ways
- Follow the desultory feet of Death?
page: 79v
Note: holograph corrected copy; size: 21.8x17.3cm.
Manuscript Addition:
or Flammia Flammifera
Editorial Description: written and cancelled at top of page.
Manuscript Addition:
flammifer flammifer flamm?
Editorial Description: written and cancelled at base of page
Scribe: DGR
- O thou who at Love's hour
unswervingly
compassionately
ecstatically
- Unto my lips dost evermore present,
- The body and blood of Love in Sacrament;
- Whom I have neared and felt thy breath to be
- The inmost incense of his sanctuary;
- Who
without word
in each pulse
without speech hast owned him, and, intent
- Upon his will, thy life with mine hast blent,
- And murmured o'er the cup, Remember me!—
- O what from thee the grace, for me the prize,
-
10 And what to
him
Love the glory,—when the whole
- Of the deep stair thou tread'st to the dim
goal
shoal
- And weary water of the place of sighs,
- And there dost work
Love's wonder
deliverance, as thine eyes
- Draw up my prisoned spirit to thy soul!
page: 80
Manuscript Addition: 66
Editorial Description: number written on manuscript, not by DGR
Note: holograph copy with corrections; size: 22.2x17.5cm.
Scribe: DGR
- From child to youth; from youth to
weary
wavering
arduous man;
- From
lethargy
energy to fever of the heart;
- From faithful life to
mouldering
dream-dowered days apart;
- From
doubt to dread
trust to doubt; from
dread
doubt to
bale and
brink of ban;—
- Thus much of change in
thy
one swift cycle ran
- Till now. Alas, the soul!—how soon must she
- Accept her primal immortality,—
- The flesh that dust wherein its course began?
- O Lord of work and peace! O Lord of life!
-
10 O Lord, the awful Lord of will! though late,
- Even
still
yet renew this soul with duteous breath:
- That when the peace is garnered in from strife,
- The work retrieved, the will regenerate,
- This soul may see thy face, O Lord of death!
page: 81
Manuscript Addition:
73a 66
Editorial Description: two numbers written on manuscript, not by DGR.
Note: holograph fair copy; size: 22.1x17.4cm. The variant line 8 is added at the foot of the page.
Scribe: DGR
- O Lord of work and peace! O Lord of life!
-
10 O Lord, the awful Lord of will! though late,
- Even yet renew this soul with duteous breath:
- That when the peace is garnered in from strife,
- The work retrieved, the will regenerate,
- This soul may see thy face, O Lord of death!
page: 82
Manuscript Addition: 66 67
Editorial Description: Two numbers written on the manuscript, 67 by DGR.
Editorial Description: Sonnet cancelled by two cross lines
Note: Holograph corrected copy; size:21.9x17.3cm.
Scribe: DGR
- But lo! the path is missed, I must go back,
-
10 And thirst to drink when
now
next I reach the spring
- Which once I stained, which since may have grown black.
- Yet though no light be left nor bird now sing
- As here I turn, I'll thank God, hastening,
- That the same goal is still on the same track.
page: 82v
Editorial Description: Crosshatch doodle at lower left
Note: Holograph fair copy, corrected: size:21.9x17.3cm.
Scribe: DGR
- There came an image in Life's retinue
- That had Love's wings and bore his gonfalon:
- Fair was the web, and
sweetly
nobly wrought thereon,
- O soul-sequestered face, thy form and hue!
- Bewildering sounds, such as Spring wakens to,
- Shook in its folds; and through my heart its power
- Sped trackless as the immemorable hour
- When birth's
harsh
dark portal groaned and all was new.
- But a veiled woman followed, and she caught
-
10 The banner round its staff, to furl and cling,—
- Then plucked a feather from the bearer's wing,
- And held it to his lips that stirred it not,
- And said to me, “Behold, there is no breath:
- I and this Love are one, and I am Death.”
page: 83
Manuscript Addition: 68
Editorial Description: Number written on lower left, not by DGR.
Note: Holograph copy, corrected; size: 21.7x17.3cm.
Scribe: DGR
- The gloom
which
that breathes upon me with these airs
- Is like the drops which strike the traveller's brow
- Who knows not, darkling, if they bring him now
- Fresh storm, or be old rain the covert bears.
- Ah! bodes this hour some harvest of new tares,
- Or hath but memory of the day whose plough
- Sowed hunger once,—the night at length when thou,
- O prayer found vain, didst fall from out my prayers?
- How prickly were the growths which yet how smooth,
-
10
On crosswebbed
Along the hedgerows of this journey shed,
- Lie by Time's grace till night and sleep may soothe!
- Even as the thistledown from pathsides dead
- Gleaned by a girl in autumns of her youth,
- Which one new year makes soft her marriage-bed.
page: 83v
Manuscript Addition: 67
Editorial Description: Number written on upper right of manuscript, not by DGR.
Manuscript Addition: Of Life Love and Death: Sonnets
Editorial Description: This is at the head of the manuscript and is cancelled. It connects the text here with the 1869 printing of
sixteen sonnets of “
The House of Life.”
Editorial Description: Sonnet cancelled with two cross strokes
Note: Holograph fair copy; size: 21.7x17.3cm. The right side of the page is slightly cropped.
Scribe: DGR
- The mother will not turn, who thinks she hears
- Her nursling's speech first grow articulate;
- But breathless with averted eyes elate
- She sits, with open lips and open ears,
- That it may call her twice. 'Mid doubts & fears
- Thus oft my soul has hearkened; till the song,
- A central
prisoned moan for days, at length found tongue,
- And the sweet music welled and the sweet tears.
- But now, whatever while the soul is fain
-
10 To list that wonted murmur, as it were
- The speech-bound sea-shell's low importunate strain,—
- No breath of song,—thy voice alone is there,
- O bitterly beloved! and all her gain
- Is but the pang of unpermitted prayer.
page: 84
Manuscript Addition: Autumn Idleness
Editorial Description: Received title added to the page by Charles Fairfax Murray
Manuscript Addition: Sevenoaks Nov. 1850
Editorial Description: Added by DGR after the text of the sonnet
Note: Holograph, heavily corrected copy; size: 17.9x11.4cm.
Scribe: DGR
- This sunlight shames November where he grieves
- In dead red leaves, and will not let him shun
- The day, though stem with stem be inter-run.
- But with a blessing every hold receives
- High salutation; while from hillock-eaves
- The deer gaze calling, dappled white and dun,
- As if, being foresters of old, the sun
- Had marked them with the shade of forest-leaves.
- Here on some morn clear as a magic glass;
-
10
Might Rosalind stand listening in the dew
-
Or earlier Griselda to field work pass
-
Yet not as sullen as that single yew
-
[?] I bring my shadows o'er the grass.
-
Added TextMight Chaucer stop to listen in the dew
-
Added TextOr earlier [???] to fieldwork pass
-
Added TextAnd here the lost hours the lost hours renew
-
Added TextWhile I still lead my shadow o'er the grass
- Nor know, for longing, that which I should do.
page: 85
Manuscript Addition: 30 50 70
Editorial Description: Three numbers written on the manuscript, not by DGR.
Note: Holograph fair copy, with corrected title; size: 21.7x17.7cm.
Scribe: DGR
- This feast-day of the sun, his altar there
- In the broad west has blazed for vesper-song;
- And I have loitered in the vale too long
- And gaze now a belated worshipper.
- Yet may I not forget that I was 'ware,
- So journeying, of his face at intervals,—
- Saw where the land to its horizon falls
- Some fiery bush with coruscating hair.
- And now that I have climbed & tread this height,
-
10 I may lie down where all the slope is shade
- And cover up my face and hair till night
- With silence darkness; or may here be stayed
- And see the gold air and the silver fade
- And the last bird fly into the last light.
page: 85v
Manuscript Addition: 29
Editorial Description: Number written on the manuscript, not by DGR.
Manuscript Addition:
Or She hath the apple in her hand for thee
Editorial Description: DGR's note and text in upper left corner indicating revision for line 1.
Note: Holograph, heavily corrected copy; size: 21.7x17.7cm.
Scribe: DGR
- A little space her glance is still and coy;
-
10 But if she give the fruit that works her spell,
- Those eyes shall flame as for her Phrygian boy.
- Then shall her bird's strained throat the woe foretell,
- And her far seas moan as a single shell,
- And through her dark grove strike the light of Troy.
page: 86
Note: Holograph copy, corrected; size: 18.1x11.5cm.
Scribe: DGR
-
Eat thou and drink; to-morrow thou shalt die.
- Surely the earth, that's wise being very old,
- Needs not our help. Then loose me, love, and hold
- Thy sultry hair up from my face; that I
- May pour for thee this yellow wine, brim-high,
- Till round the glass thy fingers
look
glow like gold.
-
Then both hands oer my forehead thou shalt fold
-
And listen to the silence going by.
-
Added TextWe'll hear no hours: thy song, while those are toll'd,
-
Added TextShall leap, as fountains veil the changing sky.
-
Wilt thou believe that
O just conceive why there are really those,
-
10 My own high-bosomed lady, who increase
- Care, gold, and care, in
search
reach of our
Love's
[?] true wealth!
?
- Eleven long days they toil; upon the twelfth
- They die not, never having lived,—but cease;
- And round their narrow lips the mould falls close.
page: 87
Manuscript Addition: 72 78
Editorial Description: Two numbers written on the manuscript, not by DGR
Note: Holograph fair copy; size: 21.7x17.5cm.
Scribe: DGR
-
Watch thou and fear; tomorrow thou shalt die.
- Or art thou sure thou shalt have time for death?
- Is not the day which God's word promiseth
- To come man knows not when? In yonder sky,
- Now while we speak, the sun sets forth: Can I
- Or thou assure him of his goal? God's breath
- Perchance even at the moment quickeneth
- The air to a flame; till spirits, always nigh
- Though screened and hid, shall walk the daylight here.
-
10 And dost thou prate of that which man shall do?
- Canst thou, who hast but plagues, presume to be
- Glad in his gladness that comes after thee?
- Will
his strength slay
thy worm in Hell? Go to:
- Cover thy countenance, and watch, and fear.
page: 87v
Note: Holograph fair copy; size: 21.7x17.5cm. There is a illegible word circled in the upper left corner.
Scribe: DGR
- As he that loves oft looks on the dear form
- And guesses how it grew to womanhood,
- And gladly would have watched the beauties bud
- And the mild fire of precious life wax warm:—
- So I, long bound within the threefold charm
- Of Dante's love sublimed to Heavenly mood,
- Had marvelled, touching his Beatitude,
- How grew such presence from man's shameful swarm.
- At length within this book I found pourtrayed
-
10 Newborn that Paradisal Love of his,
- And simple like a child; with whose clear aid
- I understood. To such a child as this,
- Christ, charging well his chosen ones, forbade
- Offence: ‘for lo! of such my kingdom is.’
page: 88
Manuscript Addition: 73 79
Editorial Description: Two numbers written on the manuscript, not by DGR
Note: Holograph fair copy, corrected; size: 21.7x17.5cm.
Scribe: DGR
-
Think thou and act; to-morrow thou shalt die.
- Stretching thyself i' the sun upon the shore,
- Thou say'st: “Man's measured path is all gone o'er:
- Of all
the
his years, steeply, with pant and sigh,
- Man clomb until he touched the truth; and I,
- Even I, am he whom it was destined for.”
- How should this be? Art thou then so much more
- Than they who sowed, that thou shouldst reap thereby?
- Nay, come up hither. From this wave-washed mound
-
10 Unto the horizon-brim look thou with me;
- Then reach on with thy thought till it be drown'd.
- Miles and miles distant though the horizon be,
- And though thy thought sail leagues and leagues beyond,—
- Still, leagues beyond those leagues, there is more sea.
page: 88v
Note: Holograph copy, corrected; size: 21.7x17.5cm. There is an editorial mark indicating that the words "sedulous penury's" should
be transposed to read "penury's sedulous".
Scribe: DGR
page: 89
Manuscript Addition: 47
Editorial Description: Number written on manuscript, not by DGR
Note: Holograph corrected copy; size: 22.2x17.9cm.
Scribe: DGR
- Give honour unto Luke Evangelist;
-
It was this Luke
For he it was (the aged legends say,)
- Who first taught Art to fold her hands and pray.
- Scarcely at once she dared to rend the mist
- Of devious symbols: but soon having wist
- How sky-breadth and field-silence and this day
- Are symbols also in
a
some deeper way,
- She looked through these to God and was God's priest.
- And if, past noon, her toil began to irk,
-
10And she sought
shadows
talismans, and
had turned in vain
- To soulless self-reflections of man's skill,—
- Yet now, in this the twilight, she might still
- Kneel in the latter grass to pray again,
- Ere the night cometh and she may not work.
page: 89v
Manuscript Addition: Mem by D. G. R. for picture / Virgin & Child / Angels holding branches of the tree of knowledge / [ ? ] / [ ? ] in background
Editorial Description: notes by Charles Fairfax Murray on verso of manuscript of text of 2a-1849
page: 90
Manuscript Addition:
75
77 74
Editorial Description: three numbers cancelled, not by DGR, written on the manuscript
Note: holograph fair copy; size: 22.2x17.3cm.
Scribe: DGR
- Give honour unto Luke Evangelist;
- For he it was (the aged legends say)
- Who first taught Art to fold her hands and pray.
- Scarcely at once she dared to rend the mist
- Of devious symbols: but soon having wist
- How sky-breadth and field silence and this day
- Are symbols also in some deeper way,
- She looked through these to God & was God's priest.
- And if, past noon, her toil began to irk,
-
10 And she sought talismans, and turned in vain
- To soulless self-reflections of man's skill,—
- Yet now, in this the twilight, she might still
- Kneel in the latter grass to pray again,
- Ere the night cometh and she may not work.
page: 91
Manuscript Addition:
76 78 75
Editorial Description: three numbers, cancelled, written on the manuscript, not by DGR
Note: holograph corrected copy; size: 22.2x17.2cm.
Scribe: DGR
- “I am not as these are,” the poet saith
- When young, and the young painter, amid
among men
- At bay, where
neither
never pencil comes
[?] neither
nor pen,
- And shut about with his own frozen breath.
- To others, for whom only rhyme wins faith
- As singers,—
only paint as painters,—
proudly then
- He turns in the cold silence; and again
- Shrinking, “I am not as these are,” he saith.
- And say that this is so, what follows it?
-
10 For were thine eyes set backwards in thine head,
- These words were well; but they see on, and far.
- Unto the lights of the great Past, new-lit
- Fair for the Future's track, look thou instead,—
- Say thou instead, “I am not as
these are.”
page: 92
Manuscript Addition: III. The Husbandman
Editorial Description: title added on page above the manuscript, by Fairfax Murray
Note: holograph corrected copy; size: 21.4x13.4cm.
Scribe: DGR
page: 92v
Figure: Pencil Sketch, 21.4 x 13.4 cm.
page: 93
Manuscript Addition: 79 76
Editorial Description: two numbers, cancelled, written on the manuscript, not by DGR.
Note: holograph corrected copy; size: 22.2x17.2cm.
- Though God, as one that is an householder,
- Called these to labour in his vineyard first,
- Before the husk of darkness was well burst
- Bidding them grope their way out and bestir,
- (Who, questioned of their wages, answered, “Sir
- Unto each man a penny:”) though the worst
- Burthen of heat was theirs and the dry thirst:
- Though God hath since found none such as these were
- To do their work like them :—Because of this
-
10 Stand not ye idle in the market-place.
- Which of ye knoweth
he is not that last
- Who may be first by faith and will?—
that
yea, his
-
Is notThe hand which after the
set
appointed days
- And hours shall give a Future to their Past?
page: 94
Manuscript Addition: 76 77 78
Editorial Note: three numbers, not by DGR, written on the manuscript.
Manuscript Addition: Soul's Beauty
Editorial Description: title added on page above the manuscript by Fairfax Murray
Note: holograph fair copy; size: 21.8x16.9cm.
Scribe: DGR
- Under the arch of Life, where love and death,
- Terror and mystery, guard her shrine, I saw
- Beauty enthroned; and though her gaze struck awe,
- I drew it in as simply as my breath.
- Hers are the eyes which, over and beneath,
- The sky and sea bend on thee,—which can draw,
- By sea or sky or woman, to one law,
- The allotted bondman of her palm & wreath.
- This is that Lady Beauty, in whose praise
-
10 Thy voice & hand shake still,—long known to thee
- By flying hair & fluttering hem,—the beat
- Following her daily of thy heart and feet,
- How passionately &
unappeasably irretrievably,
- In what fond flight, how many ways and days!
page: 95
Manuscript Addition: 76
Editorial Description: number written on the manuscript, not by DGR.
Manuscript Addition: Body's Beauty
Editorial Description: title added above manuscript by Fairfax Murray
Note: holograph corrected fair copy; size: 21.9x17.4cm.
Scribe: DGR
- Of Adam's first wife, Lilith, it is told
- (The witch he loved before the gift of Eve,)
- That, ere the snake's her sweet tongue could deceive,
- And her enchanted hair was the first gold.
- And still she sits, young while the earth is old,
- And, subtly of herself contemplative,
- Draws men to watch the bright net she can weave,
- Till heart & body and life are in its hold.
- Rose, foxglove, poppy are her flowers;
And
for where
-
10 Is he not found, O Lilith, whom shed scent
- And soft-shed fingers and soft sleep shall snare?
- Lo! as that youth's eyes burned at thine, so went
- Thy spell through him, and left his straight neck bent
- And round his heart one strangling golden hair.
page: 96
Scribe: Charles Fairfax Murray
- Is it this sky's vast vault or ocean's sound
- That is Life's self and draws my life from me,
- And by instinct ineffable decree
- Holds my breath quailing on the bitter bound?
- Nay, is it Life or Death, thus thunder-crown'd,
- That 'mid the tide of all emergency
- Now notes my separate wave, and to what sea
- Its difficult eddies labour in the ground.
- Oh! what is this that knows the road I came,
-
10The flame turned cloud, the cloud returned to flame,
- The lifted shifted steeps and all the way?—
- That draws round me at last this wind warm space,
- And in regenerate rapture turns my face
- Upon the devious coverts of dismay?
page: 97
Manuscript Addition:
80
79 80
Editorial Description: three numbers, one obscure and all cancelled, written on the manuscript, not by DGR
Scribe: May Morris
- As the child knows not if his mother's face
- Be fair; nor if his elders yet can deem
- What each most is; but as of hill or stream
- At dawn, all glimmering life surrounds his place:
- Who yet, tow'rd noon of his half-weary race,
- Pausing awhile beneath the high sun-beam
- And gazing steadily back,—as through a dream,
- In things long past new features now can trace:—
- Even so the thought that is at length fullgrown
-
10 Turns back to note the sun-smit paths, all grey
- And marvellous once, where first it walked alone;
- And haply doubts, amid the unblenching day,
- Which most or least impelled its onward way,—
- Those unknown things or these things overknown.
page: 98
Manuscript Addition:
66 70 72 84 81
Editorial Description: five numbers, all cancelled, one obscured, written on the manuscript, not by DGR
Note: corrected by DGR; size: 22.2x17.4cm. The alternate version of line 12 is written below the main text.
Scribe: May Morris
- What place so strange,—though
unimagined/[?]
unrevealàd snow
- With unimaginable fires arise
- At the earth's end,—what passion of surprise
- Like frost-bound fire-girt scenes of long ago?
- Lo! this is none but I this hour; and lo!
- This is the very place which to mine eyes
- Those mortal hours in vain immortalize,
- 'Mid hurrying crowds, with what alone I know.
page: 99
Manuscript Addition: Hoarded Joy
Editorial Description: Title corrected by Charles Fairfax Murray, added above the manuscript
Note: Holograph corrected copy; size: 22.2x18cm.
Scribe: DGR
- I said: “Nay, pluck not,—let the first fruit be:
- Even as thou sayest, it is sweet and red,
-
Yet it shall
But let it ripen still. The tree's bent head
- Sees in the stream its own fecundity
- And bides the day of fulness. Shall not we
- At
heat's high
the sun's hour that day possess the shade,
- And claim our fruit before its ripeness fade,
- And eat it from the branch & praise the tree?”
- I say: “Alas!
the
our fruit hath wooed the sun
-
10 Too long,—'tis fallen and floats adown the stream.
- Lo, the last clusters! Pluck them every one,
- And let us sup with summer; ere the gleam
- Of autumn set the year's pent sorrow free,
- And the woods wail like echoes
of
from the sea.”
-
Added TextTill music fainted on &
-
Added TextOf autumn bid the drowsy forest dream
-
Added TextOf the sea's sorrow and wail in unison.
page: 99v
Note: This page, the verso of “Hoarded Joy”, contains a version of the sestet of “Death's Songsters”. The word “against” is
written above “along” in line 4. (See page image.)
Scribe: DGR
- The same was he who, lashed to his own mast,
- There where the sea-flowers screen the burial-caves
- Beside the sirens' singing island pass'd
- Till
music sweetness failed along
against the inveterate waves
- Say,
Song
Soul, are songs of
d
Death no heaven to thee
- Nor shames her lip the cheek of Victory?
page: 100
Scribe: Charles Fairfax Murray
- Once more the changed year's turning wheel returns:
- And as a girl sails balanced in the wind,
- And now before and now again behind
- Stoops as it swoops, with cheek that laughs and burns,—
- So Spring comes merry towards me here, but earns
- No answering smile from me, whose life is twin'd
- With the dead boughs that winter still must bind,
- And whom today the Spring no more concerns.
- Behold, this crocus is a withering flame;
-
10 This snowdrop, snow; this apple-blossom's part
- To breed the fruit that breeds the serpent's art.
- Nay, for these Spring-flowers, turn thy face from them,
- Nor gaze till on the year's last lily-stem
- The white cup shrivels round the golden heart.
page: 101
Printer's Direction: print this after
Autumn Idleness page 156
Editorial Description: DGR's note
Note: Holograph fair copy, corrected; size: 22.2x17.9cm.
Scribe: DGR
- Sweet stream-fed glen, why say “farewell” to thee
- Who far'st so well and find'st for ever smooth
- The brow of Time where man may read no ruth?
- Nay, do thou rather say “farewell” to me,
-
For I
Who now fare forth in bitterer fantasy
- Than when, where other trees might shade & soothe
- By other streams in fragrant days of youth,
- The bliss of being sad made melancholy.
- And yet, farewell! For better shalt thou fare
-
10 When children bathe sweet faces in thy flow
- And happy lovers blend sweet shadows there
- In hours to come, than when an hour ago
- Thine echoes had but one man's sighs to bear
- And thy
breeze
trees whispered what he feared to know.
page: 101v
Editorial Description: Sonnet cancelled with five cross strokes
Editorial Description: Two lines of illegible text written in the right margin.
Note: Holograph draft copy, cancelled; size: 22.2x17.9cm.
Scribe: DGR
Deleted Text
- The hour which might have been yet might not be,
- Which man's and woman's heart conceived and bore
- Yet whereof life was barren,—on what shore
- Bides it the breaking of Time's weary sea?
- Bondchild of all consummate joys set free,
- It somewhere sighs & serves, and mute before
- The house of Love, hears through the echoing door
- His hours elect in choral consonancy.
- But lo! what wedded
spirits souls now hand in hand
-
10Together tread at last the immortal strand
- With eyes where burning memory lights Love home.
- Lo! how the little outcast hour has turned
- And leaped to them and in their faces yearned:—
- I am your child: O parents, ye have come.
page: 102
Manuscript Addition: 85 83
Editorial Description: Two numbers added on manuscript, not by DGR
Note: Holograph corrected copy, possibly draft; size: 21.7x17.6cm.
Scribe: DGR
- Night sucks them down, the garbage of the pit,
-
10 Whose names, half entered in the book of Life,
- Were God's desire at noon. And as their hair
And as the fair
-
fouled wretches sink etc And eyes sink last, the Torturer deigns no whit
- To gaze, but, yearning, waits his worthier wife,
- The Sin still blithe on earth that sent them there.
page: 102v
Manuscript Addition: 71
Editorial Description: Number added on manuscript, not by DGR
Note: Holograph corrected copy; size: 21.7x17.6cm.
Scribe: DGR
- So their lips drew asunder, with
fierce
sweet smart:
- And
like
as the last slow sudden
rain drops
are shed
- From sparkling eaves when
all the
short storm has fled,
- So singly flagged the pulses of each heart.
- Then their close bosoms sundered at one start,
- As when a flower bursts open on its bed
- From the knit stem; yet still their mouths, burnt red,
- Chirped at each other where they lay apart.
- Sleep sank them lower than the tide of dreams,
-
10 And their dreams watched them sink, and slid away.
- Slowly their souls swam up again, through gleams
- Of watered light, and dull drowned waifs of day:
- Till from some wonder of new woods and streams
- He woke, and wondered more: for there she lay.
page: 103
Manuscript Addition: 85
Editorial Description: Number added on page above proof text, not by DGR
- What is the sorriest thing that enters Hell?
- None of the sins,—but this and that fair deed
- Which a soul's sin at length could supersede.
- These yet are virgins, whom death's timely knell
- Might once have sainted; whom the fiends compel
- Together now, in snake-bound shuddering sheaves
- Of anguish, while the
scorching bridegroom
pit's pollution leaves
- Their refuse maidenhood abominable.
- Night sucks them down, the
garbage
tribute of the pit,
-
10 Whose names, half entered in the book of Life,
- Were God's desire at noon. And as their hair
- And eyes sink last, the Torturer deigns no whit
- To gaze, but, yearning, waits his
worthier
destined wife,
- The Sin still blithe on earth that sent them there.
page: 104
Editorial Description: Sonnet cancelled with two cross strokes.
Manuscript Addition: 68
Editorial Description: Number added to manuscript, not by DGR.
Manuscript Addition: Design for the Magdalene crayon
Editorial Description: Note added by Charles Fairfax Murray in reference to the sketch on the verso of the page.
Note: Holograph fair copy, cancelled; size: 21.8x18cm.
Scribe: DGR
Deleted Text
- The lost days of my life until to-day,
- What were they, could I see them on the street
- Lie as they fell? Would they be ears of wheat
- Sown once for food but trodden into clay?
- Or golden coins squandered and still to pay?
- Or drops of blood dabbling the guilty feet?
- Or such spilt water as in dreams must cheat
- The throats of men in Hell, who thirst alway?
- I do not see them here; but after death
-
10 God knows I know the faces I shall see,
- Each one a murdered self, with low last breath.
- “I am thyself,—what hast thou done to me?”—
- “And I—and I—thyself!” (lo! each one saith,)
- “And thou thyself to all eternity.”
page: 104v
Editorial Note (page ornament): DGR's sketch for a picture
Note:
Pencil sketch, (size: 21.8 x18 cm.) depicting a woman nude to the waist and holding a censer at her left side. Charles Fairfax Murray's
note on the other side of the leaf identifies this
picture as a “Design for the
Magdalene Crayon” but this identification seems wrong.
Figure: Pencil Sketch, 21.8 x 18 cm.
page: 105
Printer's Direction: print this after Retro Me Sathana Lost Days (page 81)
Editorial Description: DGR's note for the printer, for the 1881
Ballads and Sonnets
. The title “Lost Days” is substituted for the title “Retro Me Sathana” and page 81 substitutes for an
obscured number
Note: Holograph corrected fair copy; size: 22.1x17.5cm.
Scribe: DGR
- When first that horse, within whose populous womb
- The birth was Death, o'ershadowed Troy with fate,
- Her elders, dubious of its Grecian freight,
- Brought Helen there to sing the songs of home:
- She whispered, “Friends, I am
here alone; come, come!”
- Then, crouched within, Ulysses waxed afraid,
- And on his comrades' quivering mouths he laid
- His hands, and held them till the voice was dumb.
- The same was he who, lashed to his own mast,
-
10 Beside the sirens' singing island pass'd,
- Till sweetness failed along the
sapphire
inveterate sea. . . .
- Say, soul,— and doth no fatal song for us
- Prove yet than
all the seas
any crown more rapturous,
- No death's lip shame the cheek of victory?
page: 106
Manuscript Addition: 88
Editorial Description: Number written on manuscript, not by DGR
Note: fair copy, with note to the poem added later by DGR; size: 22.2x16.8cm.
Scribe: May Morris
- That lamp thou fill'st in Eros' name tonight,
- O Hero, shall the Sestian augurs take
- Tomorrow, and for drowned Leander's sake
- To Anteros its fireless lip shall plight.
- Aye, waft the unspoken vow: yet dawn's first light
- On ebbing storm & life twice ebb'd must break;
- While 'neath no sunrise, by the Avernian Lake,
- Lo where Love walks, Death's pallid neophyte.
- That lamp within Anteros' shadowy shrine
-
10 Shall stand unlit (for so the gods decree)
- Till some one man the happy issue see
- Of a life's love, and bid its flame to shine:
- Which still may rest unfir'd; for mine
theirs or thine,
- O brother, what brought Love to thee or me
them or thee?
Transcribed Footnote (page 106):
* It is said that, after the death of Leander and Hero, the
signal-lamp was dedicated to Anteros, with the
decree
edict that
no man should light it
who would not say that unless his
love had proved
to be a happy one fortunate.
page: 106v
Editorial Description: sonnet cancelled with four cross strokes
Manuscript Addition: (lordship) triumph splendour quired chaunted carolled choired hymned lettered
Editorial Description: DGR wrote out three alternates for lines 3 and 13 in the sonnet
Note: cancelled holograph copy, with corrections; size: 22.2x16.8cm.
Scribe: DGR
- The weltering London ways where children weep,
-
Where And girls whom none call maidens laugh,
and
while
where gain
-
Arrests men's steps to lordship or disdain
-
Added TextAllures men's hurrying steps, their loss to attain:
Added Text
- . . . . . laugh; the lane
- Between the hospital beds of moaning pain:
- The
brink of Castaly
bright Castalian brink, and Latmos' steep:—
- Such were his paths, till deeper & more deep
- He trod the sands of Lethe, and his brain,
- Weary with labour spurned and love found vain,
- Drowsed where the shadows of dead Rome wrap his sleep.
- O pang-dowered Poet, whose reverberant lips
-
10And heart-strung lyre awoke the Moon's eclipse,—
- Thou whom the daisies glory in growing o'er,—
- To us thou leav'st this fragrance, and a name
- Not writ but
quired
choir'd
rumoured in water,
where
while thy fame
- Echoes along Time's flood for evermore.
(lordship)
>triumph
splendour
(quired)
chaunted
carolled
[?]
choir'd
hymned
lettered
page: 107
Manuscript Addition: 89
Editorial Description: number written on manuscript, not by DGR
Manuscript Addition: [???]
Editorial Description: a series of very faint and unreadable scripts appear at the foot of the page
Note: holograph corrected copy; size: 22.2x17.5cm.
Scribe: DGR
- Ye who have passed Death's haggard hills; & ye
- Whom trees that knew your sires shall cease to know
- And still stand silent:—is it all a show,—
- A wisp that laughs upon the wall?—decree
- Of some inexorable
irrevocable supremacy
- Which ever, as man strains his blind surmise
- From depth to ominous depth, looks past his eyes,
- Sphinx-faced with unabashèd augury?
- Nay, rather question the Earth's self. Invoke
-
10 The
upheaved
storm-felled forest-trees moss-grown today
- Whose roots are hillocks where the children play;
- Or ask the silver sapling 'neath what yoke
-
Those stars, that through his springtime/ [?] watch the oak
-
When e'er his gnarled boughs shrink shall hold their way
Added Text
-
Added TextThose stars, his spray-crown's clustering gems, shall wage
- Their journey
still when his
gnarled boughs shrink with age.
page: 108
Manuscript Addition: 90
Editorial Description: Number written on manuscript, not by DGR.
Note: Holograph corrected copy; size: 21.9x17.4cm.
Scribe: DGR
page: 108v
Manuscript Addition: 30
Editorial Description: Number written on the manuscript, not by DGR.
Editorial Description: Sonnet cancelled by three cross strokes
Note: Holograph copy, heavily corrected, then cancelled; size: 21.9x17.4cm.
Scribe: DGR
- Because our talk had been of Love's control
- And Hope's enthrallment and the face of Fate,
- Her pitying kisses faltered at the gate
- And her eyes dreamed towards a distant goal:
- But soon, remembering her how brief the whole
- Of Joy, which its own hours annihilate,
- Her deep gaze hankered, thirstier than of late,
- And as she kissed, her mouth became her soul.
-
Thence in what years we wandered & how strove
-
10
To build from those poor [?]ing hours
up fire-tried hours [?] jealous the home
-
Where outcast lifelong memory yet should roam
-
They only know for whom the House of Love
-
Could [?] the still-seated secret of the grove
Added TextCould [?] secret of the grove,
Added Text[???]
-
Nor spire may reach/rise nor bell be heard therefrom.
-
Added TextThence in what ways we wandered, and how strove
-
Added TextTo build with fire-tried vows the
perilous
piteous home
-
Where outcast lifelong memory yet should roam
-
Added TextWhich memory haunts and whither sleep may roam,—
-
Added TextThey only know for whom the House of Love
-
Added TextIs the still-seated secret of the grove,
-
Added TextNor spire may rise nor bell be heard therefrom.
page: 109
Manuscript Addition: 89 91 65
Editorial Description: Numbers written on manuscript, not by DGR
Editorial Description: Sonnet cancelled with cross strokes
Note: Holograph fair copy, corrected, then cancelled; size: 21.8x17.8cm.
Scribe: DGR
- As when two men have loved a woman well,
- Each hating each,
and all in self deceit
through Love's and Death's deceit;
- Since not for either this stark marriage-sheet
- And the long pauses of this wedding-bell:
- Yet o'er her grave the night and day dispel
- At last their feud forlorn, with cold and heat;
- Nor other than dear friends to death may fleet
- The two lives left that most of her can tell:—
- So separate hopes, which in a soul had wooed
-
10 The one same Peace, strove with each other long,
- And Peace before their faces perished since:
- So
in
through that soul, in restless brotherhood,
-
Where silence may not be, they
They roam together now, and wind among
- Its bye-streets, knocking at the dusty inns.
page: 109v
Editorial Description: Sonnet cancelled with cross strokes
Note: Holograph copy, corrected, then cancelled; size: 21.8x17.8cm. DGR dates the poem at the end:“Dies Atra 1st May 1869.”
Scribe: DGR
- There came an image in Life's retinue
- That had Love's wings and bore his gonfalon:
-
[?] he spread it in the Sun
Added TextFair was the web, and well pourtrayed thereon,
-
Bright was the web and sweet the wind it blew
-
One soul sequestered face's form and hue
Added TextO soul-sequestered face, thy form and hue!
- Bewildering sounds, such as Spring wakens to,
- Shook in its folds; and through my heart its power
- Sped trackless as the immemorable hour
- When birth's
dark
harsh portal groaned and all was new.
-
When shuddering portals groaned & birth won through.
- But a veiled woman followed, and she caught
-
10 The banner round its staff, to
swath
furl and cling,—
- Then plucked a feather from the bearer's wing,
- And held it to his lips that stirred it not,
- And said to me, “Behold, there is no breath:
-
Look [?] and thine for
I and this Love are one, and I am Death.”
page: 110
Manuscript Addition: 92
Editorial Description: Number written on manuscript, not by DGR
Note: Holograph fair copy; size: 17.9x11.1cm.
Scribe: DGR
- Beholding youth & hope in mockery caught
- From life; and mocking pulses that remain
- When the soul's death of bodily death is fain;
- Honour unknown, and honour known unsought;
- And penury's sedulous self-torturing thought
- On gold, whose master therewith buys his bane;
- And longed-for woman longing all in vain
- For lonely man with love's desire distraught;
- And wealth, and strength, & power, & pleasantness,
-
10 Given unto bodies of whose souls men say,
- None poor and weak, slavish and foul, as they:—
- Beholding these things, I behold no less
- The blushing morn and blushing eve confess
- The shame that loads the intolerable day.
page: 111
Manuscript Addition: To follow the one in vol.
Editorial Description: DGR's note, cancelled; the reference is to the companion sonnet, which was published alone in the 1870 volume of DGR's
Poems
.
Manuscript Addition: 93 94
Editorial Description: Numbers written on manuscript, not by DGR.
Note: Holograph copy, heavily corrected; size: 22.2x17.4cm.
Scribe: DGR
- As some true chief of men, bowed down with stress
- Of life's disastrous eld, on blossoming youth
- May gaze, and murmur with self-pity and ruth,—
- “Might I thy fruitless treasure but possess,
- Such blessing of mine all coming years should bless;”—
- Then sends one sigh forth to the unknown goal,
- And bitterly feels breathe against his soul
- The hour swift-winged of nearer nothingness:—
page: 112
Manuscript Addition: 94 92
Editorial Description: Two numbers written on manuscript, not by DGR.
Note: Holograph corrected fair copy; size: 22.2x17.3cm.
Scribe: DGR
- O Buonarruoti,—good at
the Sun's wheels
Art's fire-wheels
-
10
That guides his
To urge her chariot!— even thus the Soul,
- Touching at length some sorely-chastened goal,
- Earns
oftenest but a little:
oftenest her appeals
- Were deep and mute,—lowly her claim. Let be:
- What holds for her Death's garner? And for thee?
page: 113
Manuscript Addition: 64 95
Editorial Description: Two numbers written on manuscript, not by DGR.
Editorial Description: Sonnet cancelled with cross strokes
Manuscript Addition: The vase of Life
Editorial Description: This title added later by Charles Fairfax Murray
Note: Holograph, corrected fair copy, cancelled; size: 21.8x17.5cm.
Scribe: DGR
- Around the vase of Life at your slow pace
- He has not crept, but turned it with his hands,
- And all its sides already understands.
- There, girt, one breathes alert for some great race;
- Whose road runs far by sands & fruitful space;
- Who laughs, yet through the jolly throng has pass'd;
- Who weeps, nor stays for weeping; who at last,
- A youth, stands somewhere
[?]
crowned, with silent face.
- And he has filled this vase with wine for blood,
-
10 With blood for tears, with spice for burning vow,
- With watered flowers for buried love most fit;
- And would have cast it shattered to the flood,
- Yet in Fate's name has kept it whole; which now
- Stands empty till his ashes fall in it.
page: 113v
Editorial Description: Sonnet cancelled with two strokes
Note: Holograph copy corrected; size: 21.8x17.5cm.
Scribe: DGR
- Look in my face; my name is Might-have-been;
- I am also called No-more, Too-late, Farewell;
- Unto thine ear I hold the dead-sea shell
- Cast up thy Life's
embittered leaves
foam-
covered fretted feet
between;
- Unto thine eyes the glass where
life
that is seen
- Which
once had its
Life's Love's own form
had Life's form and Love's, but by my spell
- Is now a shaken shadow intolerable,
- Of ultimate things unuttered the frail screen.
- Mark me, how still I am: but
if
should there dart
-
10 One moment through thy soul the
sweet
soft surprize
- Of that
soft wing
ed Peace which
[?]/bears the sleep lulls the breath of sighs,—
- Then shalt thou see me smile, and turn apart
- Thy visage to
the
mine ambush at
the
thy heart
-
Made
Held Sleepless with
cold commemorative eyes.
page: 114
Scribe: May Morris
- As thy friend's face, with shadow of soul o'erspread,
- Somewhile unto thy sight
must needs have
perchance hath been
- Ghastly and strange, yet never so is seen
- In thought, but to all fortunate favour wed;
- As thy love's death-bound features never dead
- To memory's glass return, but contravene
- Frail fugitive days, and alway keep, I ween,
- Than all new life a livelier lovelihead:—
- So Life herself, thy spirit's friend and love,
-
10 Even still as Spring's authentic harbinger
- Glows with fresh hours for hope to glorify;
- Though pale she lay when in the winter grove
- Her funeral flowers were snow-flakes shed on her
- And the red wings of frost-fire rent the sky.
page: 115
Manuscript Addition: see [?] of Sonnet xcv MS for original MSS
Editorial Description: Note by Fairfax Murray
Scribe: Charles Fairfax Murray
- Look in my face; my name is Might-have-been;
- I am also called No-more, Too-late, Farewell;
- Unto thine ear I hold the dead sea shell
- Cast up thy Life's foam-fretted feet between;
- Unto thine eyes the glass where that is seen
- Which had Life's form and Love's, but by my spell
- Is now a shaken shadow intolerable,
- Of ultimate things unuttered the frail screen.
- Mark me, how still I am! But should there dart
-
10 One moment through thy soul the soft surprise
- Of that winged Peace which lulls the breath of sighs,—
- Then shalt thou see me smile, and turn apart
- Thy visage to mine ambush at thy heart
- Sleepless with cold commemorative eyes.
page: 116
Scribe: Charles Fairfax Murray
- Whence came his feet into my field, and why?
- How is it that he sees it all so drear?
- How do I see his seeing, and how hear
- The name his bitter silence
[?] knows it by?
- This was the little fold of separate sky
- Whose pasturing clouds in the soul's atmosphere
- Drew living light from one continual year:
- How should he find it lifeless? He, or I?
- Lo! this new Self now wanders round my field,
-
10 With plaints for every flower, and for each tree
- A moan, the sighing wind's auxiliary:
- And o'er sweet waters of my life, that yield
- Unto his lips no draught but tears unseal'd,
- Even in my place he weeps. Even I, not he.
page: 117
Editorial Description: Sonnet cancelled with two cross strokes
Note: Holograph corrected copy, cancelled; 21.8x17.2cm.
Scribe: DGR
- Today Death seems to me
a newborn
an infant child
- Which her worn mother Life upon my knee
- Has set to grow my friend & play with me;
- If haply so my heart might be beguil'd
- To find no terrors in a face so mild,
-
But made [?] with fatality
Added TextIf haply so my weary heart might be
-
May never any more be moved to flee
Added TextUnto the newborn milky eyes of thee,
-
From those now [?] eyes grown wide and wild.
Added TextO Death, before resentment reconcil'd.
- How long, O Death? And shall thy feet depart
-
10 Still a young child's with mine
,
? —or wilt thou stand
- Fullgrown the helpful daughter of my heart,
- What time with thee
at length
indeed I reach the strand
- Of
that
the pale wave which knows thee what thou art,
- And drink it in the hollow of thy hand?
page: 117v
Editorial Description: Sonnet cancelled with two cross strokes
Note: Holograph copy, heavily corrected
Scribe: DGR
Added Text
- And thou, O Life,
the lady of all bliss
by whom such artifice
the lady of all bliss,
-
With whom when these our hearts beat full & fast
-
Added TextWith whom, when our first heart beat full and fast,
-
I
[?] wandered till the haunts of men were past,
- And in
rich
fair places found all bowers amiss
- Till only woods and waves might hear our kiss,
- While to the winds all thought of Death we cast:—
- Ah! Life, and must I have from thee at last
- No smile to greet me & no babe but this?
- Lo! Love, the child once ours; and Song, whose hair
-
10 Blew like a flame & blossomed like a wreath;
- And Art, whose
eyes made
glance shaped God & formed him fair;
Added Text
- whose eyes were as God's skies laid bare;
- whose eyes were worlds by God found fair;
- whose
[?] glance met God's and formed
them Him fair;
-
whose wondering eyes made wondrous fair
-
Added Textwith wondrous wondering eyes most fair
-
with wondrous eyes of wondering prayer
-
whose glance shaped gods and formed them fair
- These o'er the book of Nature mixed their breath
- With
heart-locked hands
[?] locked [?] neck-twined arms
, as oft we watched them there:
- And did these die that thou mightst bear me Death?
page: 118
Scribe: Charles Fairfax Murray
- And thou, O Life, the lady of all bliss,
- With whom, when our first heart beat full and fast,
- I wandered till the haunts of men were pass'd,
- And in fair places found all bowers amiss
- Till only woods and waves might hear our kiss,
- While to the winds all thought of Death we cast:—
- Ah! Life, and must I have from thee at last
- No smile to greet me and no babe but this?
- Lo! Love, the child once ours; and Song, whose hair
-
10 Blew like a flame and blossomed like a wreath;
- And Art, whose eyes were worlds by God found fair:
- These o'er the book of Nature mixed their breath
- With neck-twined arms, as oft we watched them there;
- And did these die that thou mightst bear me Death?
page: 119
Scribe: Charles Fairfax Murray
- When vain desire at last and vain regret
- Go hand in hand to death, and all is vain,
- What shall assuage the unforgotten pain
- And teach the unforgetful to forget?
- Shall Peace be still a sunk stream long unmet,—
- Or may the soul at once in a green plain
- Stoop through the spray of some sweet life-fountain
- And cull the dew-drenched flowering amulet?
- Ah! when the wan soul in that golden air
-
10 Between the scriptured petals softly blown
- Peers breathless for the gift of grace unknown,—
- Ah! let none other alien spell soe'er
- But only the one Hope's one name be there,—
- Nor less nor more, but even that word alone.