This is DGR's interesting evaluation of the work of the historical painter and portraitist Edward Maclise (1806-1870), who had recently died. As DGR makes explicit, his “immediate subject” is not so much with Maclise's work in general as “with
an early and subordinate, though not ephemeral, product of his
powers. I allude to the long series of character-portrait—
chiefly drawn on stone with a lithographic pen, but in other
instances more elaborately etched or engraved—which he con-
tributed (under the pseudonym of ‘Alfred Croquis’) to Fraser's
Magazine between the years 1830 and 1838.” However, the essay amounts to a comprehensive assessment because Maclise's greatest work was indeed exhibited in these lithographs so shrewdly anatomized by DGR.
Textual History: Composition
The manuscript is not forthcoming. However, WMR dates the essay 1870, though it was not published until the following year, a few months after Maclise's death.
Printing History
The essay was first printed in the Academy (15 April 1871) and first collected in 1911.
This collection contains 3 texts and images, including:
The Academy text
Scholarly Commentary
Introduction
This is DGR's interesting evaluation of the work of the historical painter and portraitist Edward Maclise (1806-1870), who had recently died. As DGR makes explicit, his “immediate subject” is not so much with Maclise's work in general as “with an early and subordinate, though not ephemeral, product of his powers. I allude to the long series of character-portrait— chiefly drawn on stone with a lithographic pen, but in other instances more elaborately etched or engraved—which he con- tributed (under the pseudonym of ‘Alfred Croquis’) to Fraser's Magazine between the years 1830 and 1838.” However, the essay amounts to a comprehensive assessment because Maclise's greatest work was indeed exhibited in these lithographs so shrewdly anatomized by DGR.
Textual History: Composition
The manuscript is not forthcoming. However, WMR dates the essay 1870, though it was not published until the following year, a few months after Maclise's death.
Printing History
The essay was first printed in the Academy (15 April 1871) and first collected in 1911.