page: cover
Note: WMR has written his description of the note book across the front and back covers
Notebook of Gabriel date
towards 1880
WMR
1905 Ashley 1410 (3).
page: endpaper
Manuscript Addition: Book 3
Editorial Description: Written vertically along right edge
page: title page
Manuscript Addition: ASHLEY MS. / 1410. (3.)
Editorial Description: Library identification number
page: [title page verso, 1v]
page: [2r]
Manuscript Addition: 2*
Editorial Description: Pagination (not by DGR) at upper right.
page: [2r - foldout]
Note: Memorandum on a bill to be paid.
Bill to
Fourth & [?]
99 - 1d - 6
payable (3days
included)
May 24 1880
page: [2v]
Note: Memoranda on several bills to be paid.
Deleted TextBill to [?]
& Brown
£75 - 1 / -
payable (3
days included)
21 Oct / 79
Bill to C. Ellis
£ 115 - 8d
payable (included)
pm 15 Feb / 80
[?]
page: [3r]
Manuscript Addition: 3
Editorial Description: Pagination (not by DGR) at upper right.
Manuscript Addition: 1481
Editorial Description: Number at upper right of unknown significance.
Miss
[?] Doner[?]
144 Blk friars R
C
(For ulcerated
sore throat)
8 grains of caustic
in a small
phial
of water.
page: [3v]
Note: The facing leaf is torn away.
Phil's Birthday
1st 2nd or 3rd
October
Write
17 April
to Graham
about Glasgow
page: [4r]
Manuscript Addition: 4
Editorial Description: Pagination
- And thin, alas! the shred
- of sleep
- That wavers with the spirit's
- wind
- My soul this hour has drawn
- your soul
- A little nearer yet
page: [4v]
The Death of
Germanicus
(Merivale V
195-6)
D
o VI - 149
The story of Arria
&
Paetus is told
at length by the
Elder Pliny
Epist III.16
Comp. Martial
E. 14
page: [5r]
Manuscript Addition: 5
Editorial Description: Pagination
The Art Fellowship
PFA Painter Fellow of Art
SFA Sculptor D
o D
o
AFA Architect D
o D
o
page: [5v]
One of my most
intimate
enemie
enemies
Whether they be
scavengers literary
or literally
page: [6r-v]
page: [7r-v]
Manuscript Addition: 7
Editorial Description: Pagination
page: [8r]
Manuscript Addition: 8
Editorial Description: Pagination
The Verminiad
If [?] be a
noun of multitude[?]
let me sue in former[?]
paupers[?] for alone
am I.
page: [8v]
Manuscript Addition: Cor i da
Editorial Description: Word written vertically on left margin
There are certain
passionate phases
of the soul when
to know a
thing
true, & to believe
it are found 2
separate things
page: [9r]
Manuscript Addition: 9
Editorial Description: Pagination
Little table
with drawers
Chippendale
Washstand
Bookshelves
Chest of drawers
Gardening Picture
Picture rods
page: [9v]
Drawing Cast
French blue
ware
Cabinet
for photos
Lay figure
3 Dante
drawings found
in hall
page: [10r]
Manuscript Addition: 10
Editorial Description: Pagination
Marble frieze
of [?]
Inkstand
Vol 1 Lent to
Labour
Small round
table with
[?] top
page: [10v]
2 ram's-head
arm-chairs
Topsy Tapestry
2 corner
cupboards
with a stand
page: [11r]
Manuscript Addition: 11
Editorial Description: Pagination
For Fanny
I's B
d D
l
drawing
2 Mrs Smith
Intro Mrs
Stillman
page: [11v]
5 May —
Claret
Subject—Judith
displaying head of
Holofernes.
Background
all of crowded faces.
page: [12r]
Manuscript Addition: 12
Editorial Description: Pagination
Moffit
near Ayr
Baths for Exima
page: [12v]
Note: The revisions of line 3 are located in the bottom left corner.
- Didn't WW say, “Lo, I forget”?
- That thought was to remember yet.
- As in a
graveyard humbly see
yon grave garth
look to see
count to see
- The monuments of memory.
- Be this thy soul's
[?]
appointed scope:—
- Gaze
only onward without claim to hope,
- Nor,
look gazing backward, court regret.
page: [13r]
Manuscript Addition: 13
Editorial Description: Pagination
To Watts
And the words
which that for
[???]
page: [13v]
page: [14r]
Manuscript Addition: 14
Editorial Description: Pagination
Note: Written upside down
page: [15r]
Manuscript Addition: 15
Editorial Description: Pagination
- Ah dear one
I was
we were
- young so long,
- I thought that youth
- wd never go,
- Ah! dear one I've been
- old so long,
- How long until we meet
- again?
page: [15v]
Note: Written upside down
- Where is the man whose
- soul has never waked
- To sudden pity of the
- poor torn past?
page: [16r]
Manuscript Addition: 16
Editorial Description: Pagination
Nouns &
Sounds
abt 15
miles off
is Linworth
Cove, the
station for
which
is
Wool
page: [16v]
Dorsetshire
Change
Wareham
station
from Waterloo
3 1/2 hours
to Wareham
9 miles left
to Swansea
[?]
page: [17r]
Manuscript Addition: 17
Editorial Description: Pagination
Mum as a
Muffin
F. B. Elliott Esq
east 2 Edenview[?]
St Acton[?]
NB
page: [17v]
Editorial Note (page ornament): The page contains a sketch, possibly of a book opening and page layout.
- Quel donna canterà se non
- cant' io
- Che son contenta d'ogni mio
- disio
- Boc[?]
Steam Cobbles
coal that keeps alight
all night
Booth
Nottingham
page: [18r]
Hiatus
Wilkinson
Fitzball
Conway
Blake
Shepher's
Gardens
Eben: pamphlet
& letters
page: [18v]
Note: This is a prose draft for what would become lines 72-74 of
Soothsay.
He who knows how
much too late it
is forebears to look
at his watch
page: [19r]
Manuscript Addition: 19
Editorial Description: Pagination
Howell
St George Drawings
Corder Pictures
Mrs Eddy works
(in St. James W. Coventry)
page: [19v]
Mem: to offer
Graham (instead
of
Dante
Boat
)
“Di donne io
vidi mia gentile
schiera”
page: [20r]
Manuscript Addition: 20
Editorial Description: Pagination
Mem:
Today (June 10 /79)
I placed in oak case
locked
138
mounted Drawings
(one also a torn half sheet)
and a few loose
sketches
& one photograph
page: [20v]
Rhatany Lozenges
Note: DGR's note on a study for
Found
8 June /79
Looked through folios
Female head for “Found”
gone
page: [21r]
Manuscript Addition: 21
Editorial Description: Pagination
Appena si può
dire questa fu
rosa.
Pastor Fido
page: [21v]
Mem: to carry out
slight sketches I
possess of 2 new versions
of
the Dante & Beatrice
meeting & make a
new
Salutatio Beatrice
page: [22r]
Note: Two texts are scripted on this page, one a pencil text overwritten (in
ink, and in the opposite direction) by the other, which seems the second. The transcription begins at the end opposite from
the pagination.
Manuscript Addition: 22
Editorial Description: Pagination
- As much as in a hundred years she's
gone
dead
- Yet is today the day on which she died
This [has?] been
my heart in the
world's
litter[?]
page: [22v]
Note: This leaf is detached from the next in the notebook.
21st June
1/4 to 7
sun just
behind
midddle
of
curtain
bar of window
level with
top of curtains
page: [23r]
Manuscript Addition: 23
Editorial Description: Pagination
Anonymity motto
Anon, anon, Sir
- Fashioned with
- intricate infinity
page: [23v]
A proud man hates
to have flattery
because it makes
him feel that
he
loves it
page: [24r]
Manuscript Addition: 24
Editorial Description: Pagination
the true artist will
first perceive in
another's work the
beauties
& in his
own the defects
page: [24v]
Autumn
Winter Anemones
(title for Poems)
- A sonnet is a moment's
- monument
- A medal struck to all eter-
- -nity
- For one dead deathless hour
page: [25r]
Manuscript Addition: 25
Editorial Description: Pagination
Fat is Beauty's Fate
Gelsemena
Gelsemel
Gelsemene
page: [26v]
Note: The texts on the pages here numbered in sequence 25v, 26r, and 26v were
actually written in DGR as a unit in the sequence 26v, 26r, 25v. The text is
reproduced here in DGR's composition order rather than in the pagination
order editorially supplied to the document.
A woman intensely ena-
moured of a man who
does not love her
makes use of a philtre
to secure his love.
In this she succeeds
but it also acts
gradually upon
page: [26r]
Manuscript Addition: 26
Editorial Description: Pagination
his life. She attempts
to avert this by destroying
the
whole effect of the
philtre, but finds this
is not permitted her;
and he dies in her
arms, deeply loving her
page: [25v]
& deeply loved by
her,
while she
[?] thinks[?]
is conscious of
she is
being the cause of his
death. As he yields his
last
breath
in a kiss, she knows
that his spirit now
hates her.
page: [27r]
Manuscript Addition: 27
Editorial Description: Pagination
In refined natures of
humble birth, breeding
seems to have
preceded
it in a former exis-
tence, & the peasant
woman
looks &
is born a queen.
page: [27v]
Note: See Boccaccio,
Decameron Day 4 Tale 8.
- How sweet a solace is
- the bridal-bed
- Dawn as prepared,
- evening as hallowèd.
page: [28r]
Manuscript Addition: 28
Editorial Description: Pagination
Note: DGR is referencing tales 2, 3 and 8 in Day V of the
Decameron.
The vilest scribbler
who ever left his
works to the
posteri
posteriors of Posterity
Guido degli
Anan
Anastegi
Carapresa
(Bocc.)
Gigliuzzo
Alagna
(near
Rome — Bocc.)
Liello
page: [28v]
Manuscript Addition: 2 sonnets
Editorial Description: DGR's notation at the top of the page
One Portrait in 12 Autotypes
from the Studies of
DGR
One Portrait in 12 Studies
& 12 Sonnets
Autotypes from the drawings
of DGR
page: [29r]
Manuscript Addition: 29
Editorial Description: Pagination
Note: Apparently DGR's notes for a predella that he never executed.
Predella for
Magdalene
On one side
M
[?]
annointing Christ's
feet at table
& on the
other
clinging round
his feet while
taking down from
the cross
page: [29v]
Note: DGR quotes Suetonius from Charles Merivale,
A History of the Romans Under the Empire.
Quae mater Hecubae : quod
Acchili nomen intra
virgines fuisset :
quid
Sirenes cantare sint
solitae (Suet : Tib : 70)
With these
questions Tiberius
used to puzzle his men of
learning in his
latter days.
(Merivale V. 348)
page: [30r]
Manuscript Addition: 30
Editorial Description: Pagination
- Maggior dolore è ben la
- Ricordanza,
-
Ovvero in no
O nell' amaro inferno amena
- stanza?
- Is Memory most of miseries
- miserable
- Or the one flower of ease in
- bitterest hell?
page: [30v]
- Who shall say what is
- said in me,
- With all that I might
- have been dead in
- me?
Malombria (real ? )
Caroacaxa
page: [31r]
Manuscript Addition: 31
Editorial Description: Pagination
Note: The notations are cryptic. The last pair of lines may be a quotation
from the Scots painter David Scott, whose work DGR admired. For the
“tailor's ninth” see DGR's
“Limerick: Nine Tailors”.
Rhinoceros Rhododendrons
some tailor's ninth
miser's
A Civil
Strath
D. Scott
page: [31v]
I know the
green earth
only in the
form of Terra
Verte
Eltoft
Carver & Gelden
Bradford
page: [32r]
Manuscript Addition: 32
Editorial Description: Pagination
Note: The page is numbered but torn away.
Note: The page is torn away.
page: [33r]
Manuscript Addition: 33
Editorial Description: Pagination
Note: DGR references Charles Merivale,
A History of the Romans Under the Empire.
Merivale VI. 58
The story of
Caius & the
Chapel by
the
Lake of Nemius.
D
o. VI 62
Caius standing
between the statues
of Castor & Pollux
to be adored by
the
people.
(subject for
picture)
page: [33v]
The
highest
deepest trait of
nature in fiction
will appear as if
nothing but fact could
have given it birth
& will
yet show that
consummate art is its
true source.
page: [34r]
Manuscript Addition: 34
Editorial Description: Pagination
Uglimugli
a Chinese
Magician
Fina Buzzacasina
(
a real name)
Mansell
Bookbinder
Little Queen
Street
for good things
page: [34v]
Leighton's
impasto is
scented soap
& his surfaces
violet powder
The New Ibis
a Satire
by Anon or Ibid
page: [36r]
Note: The epigram on the next three notebook pages was written in the order 36r,
35v, 35r; it is here represented in that order
Manuscript Addition: 36
Editorial Description: Pagination
-
The elderly
Uncertain-aged Miss Thereabouts,
- Tough fossil of her teens,
- Has lifted up with saving
- hand
- The ruined Smithereens.
page: [35v]
- Down the dark steps of
- debt, that hand
- Sped like an angels wing,
- Deep-dowered with gold
- &
thence brought back
for itself
-
A single
Brought back a golden ring.
page: [35r]
Manuscript Addition: 35
Editorial Description: Pagination
- Ah lovely Lucy Lovandove,
-
10 That ring's a snake, & means
- Woe without end. Therein lies
- crushed
- Thy heart—to smithereens.
Jean Dutont[?]
page: [36v]
The Elizabethans created a
style in poetry, & by
misapplying
some of its qualities formed
their prose. The Annians
created a style in prose,
and wrenched its charac-
-teristics to form
their
poetry.
page: [37r]
Manuscript Addition: 37
Editorial Description: Pagination
Pliny says that
Verres was put
to death by
Antoninus
merely
for vaunting the
superiority of his
Corinthian
bronzes
(Merivale
v. 3 p. 197
(note))
page: [37v]
Picture & poem bear the
same relation to each
other as
beauty does
in man & woman:
the point of meeting,
where the two are
most identical, is
the supreme perfection.
page: [38r]
Manuscript Addition: 38
Editorial Description: Pagination
The Temple of
Fors Fortuna
The cloak of scarlet
or purple which
the imperator threw
over his
corslet
was named the
paludamentum
page: [38v]
Manuscript Addition: From / Ma[?]hes / p. 236
Editorial Description: DGR's note; the reference is uncertain
-
What man so ere
In whomsoe'er since
sweet
Poesy
-
song began
- Of all men most a Poet we
- may scan
- Burns of all poets is the
- most a Man.
page: [39r]
Manuscript Addition: 39
Editorial Description: Pagination
C'est la nature
elle même prise
sur le fait.
While engaged in
painting the Love
of Cupid & Psyche
in the Farnesina
Raphael used to leave
his work to visit La
Fornarina 3 or 4 times
a day.
page: [39v]
Note: DGR's prose description of Burns is truncated in mid-sentence and the next
page in the notebook is torn away. The whole of the prose note was published
by WMR in
1911 and the
completion of the text is editorially supplied here in square brackets.
Whosoever be of all men
the most a Poet,
Robert Burns
is of
all poets the
most a man.
His enormous
identity—
the lowly labour united to
[?] the plumed
& [crested intellect—thus shoots up as in overwhelming
vigour, and makes his presence a mountain among the hills of Poesy.]
page: [41r]
Manuscript Addition: 41
Editorial Description: Pagination
(rhyme)
congener
La Contesta del
Canarino
(new title for
“Veronica”)
Sacrovir
M. [?man] [?]
london
Mervale[?] V 307
page: [41v]
Note: There is an "X" and a line connecting the end of this page to the beginning of the next.
If one painted boors
drinking and even were
refined oneself, they
would
pardon & in some degree
revere one; or, if
were
one were a drinking boor
oneself & painted refinements,
[?]they wd condone the
latter.
page: [42r]
Note: See note to page [41v].
Manuscript Addition: 42
Editorial Description: Pagination
but the refined
painted by the refined
is unpardonable.
He wore a
hatband &
his nails were
also in mourning.
page: [42v]
A woman may have
some little mercy for
the man she has ceased
to love; but she
has none for the
memory of what he
has
been to her.
page: [43r]
Editorial Note (page ornament): There is a stamp for the British Museum, Ashley Library below the text on this page.
Manuscript Addition: 43
Editorial Description: Pagination
9 MS Books
in safe
turn key first
& then handle
to open
key red label
page: [43v]
Note: The transcription runs clockwise, beginning at the inside margin.
[?]
Jos Hopkins
57 Tower Building
Liverpool
Note a grocer
24th Jany
R. Hayley
23 Chapel
Street
page: [44r]
breaking up
like so much
dry dung
Brahee
powder's
(patent)
page: [44v]
- Or give ten years of
- life's most bitter wane
- To see the loved one as she
- was again.
- And of the cup of human
- agony
- Enough to fill the sea.
page: [45r]
Note: Only a stub of this page remains bearing some fragments of text.
Manuscript Addition: 45
Editorial Description: Pagination
[?] 18th June
3 days beyond this
in each case
page: [45v]
ASHLEY. 1410. (3.).
45. FF. July. 1949.
(f. 40 noted missing, 16
December
1914. DJ)
LMR JM