• For weeks that I had borne her company
• Into the Duomo; and those weeks had been
• Much troubled, for then first the glimpses came
• 370 Of some impenetrable restlessness
• Growing in her to make her changed and cold.
• And as we entered there that day, I bent
• My eyes on the fair Image, and I said
• Within my heart, ‘Oh turn her heart to me!’
• And so I left her to her prayers, and went
• To gaze upon the pride of Monza's shrine,
• Where in the sacristy the light still falls
• Upon the Iron Crown of Italy,
• On whose crowned heads the day has closed, nor yet
• 380 The daybreak gilds another head to crown.
• But coming back, I wondered when I saw
• That the sweet Lady of her prayers now stood
• Alone without her; until further off,
• Before some new Madonna gaily decked,
• Tinselled and gewgawed, a slight German toy,
• I saw her kneel, still praying. At my step
• She rose, and side by side we left the church.
• I was much moved, and sharply questioned her
• Of her transferred devotion; but she seemed
• 390 Stubborn and heedless; till she lightly laughed
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• And said: ‘The old Madonna? Aye indeed,
• She had my old thoughts,—this one has my new.’
• Then silent to the soul I held my way:
• And from the fountains of the public place
• Unto the pigeon-haunted pinnacles,
• Bright wings and water winnowed the bright air;
• And stately with her laugh's subsiding smile
• She went, with clear-swayed waist and towering neck
• And hands held light before her; and the face
• 400 Which long had made a day in my life's night
• Was night in day to me; as all men's eyes
• Turned on her beauty, and she seemed to tread
• Beyond my heart to the world made for her.

• Ah there! my wounds will snatch my sense again:
• The pain comes billowing on like a full cloud
• Of thunder, and the flash that breaks from it
• Leaves my brain burning. That's the wound he gave
• The Austrian whose white coat I still made match
• With his white face, only the two grew red
• 410 As suits his trade. The devil makes them wear
• White for a livery, that the blood may show
• Braver that brings them to him. So he looks
• Sheer o'er the field and knows his own at once.

• Give me a draught of water in that cup;
• My voice feels thick; perhaps you do not hear;
• But you must hear. If you mistake my words
• And so absolve me, I am sure the blessing
• Will burn my soul. If you mistake my words
• And so absolve me, Father, the great sin
• 420 Is yours, not mine: mark this: your soul shall burn
• With mine for it. I have seen pictures where
• Souls burned with Latin shriekings in their mouths:
• Shall my end be as theirs? Nay, but I know
• 'Tis you shall shriek in Latin. Some bell rings,
• Rings through my brain: it strikes the hour in hell.

• You see I cannot, Father; I have tried,
• But cannot, as you see. These twenty times
• Beginning, I have come to the same point
• And stopped. Beyond, there are but broken words
• 430 Which will not let you understand my tale.
• It is that then we have her with us here,
• As when she wrung her hair out in my dream
• To-night, till all the darkness reeked of it.
• Her hair is always wet, for she has kept
• Its tresses wrapped about her side for years;
• And when she wrung them round over the floor,
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• I heard the blood between her fingers hiss;
• So that I sat up in my bed and screamed
• Once and again; and once to once, she laughed.
• 440 Look that you turn not now,—she's at your back:
• Gather your robe up, Father, and keep close,
• Or she'll sit down on it and send you mad.

• At Iglio in the first thin shade o' the hills
• The sand is black and red. The black was black
• When what was spilt that day sank into it,
• And the red scarcely darkened. There I stood
• This night with her, and saw the sand the same.

---

• What would you have me tell you? Father, father,
• How shall I make you know? You have not known
• 450 The dreadful soul of woman, who one day
• Forgets the old and takes the new to heart,
• Forgets what man remembers, and therewith
• Forgets the man. Nor can I clearly tell
• How the change happened between her and me.
• Her eyes looked on me from an emptied heart
• When most my heart was full of her; and still
• In every corner of myself I sought
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• To find what service failed her; and no less
• Than in the good time past, there all was hers.
• 460 What do you love? Your Heaven? Conceive it spread
• For one first year of all eternity
• All round you with all joys and gifts of God;
• And then when most your soul is blent with it
• And all yields song together,—then it stands
• O' the sudden like a pool that once gave back
• Your image, but now drowns it and is clear
• Again,—or like a sun bewitched, that burns
• Your shadow from you, and still shines in sight.
• How could you bear it? Would you not cry out,
• 470 Among those eyes grown blind to you, those ears
• That hear no more your voice you hear the same,—
• ‘God! what is left but hell for company,
• But hell, hell, hell?’—until the name so breathed
• Whirled with hot wind and sucked you down in fire?
• Even so I stood the day her empty heart
• Left her place empty in our home, while yet
• I knew not why she went nor where she went
• Nor how to reach her: so I stood the day
• When to my prayers at last one sight of her
• 480 Was granted, and I looked on heaven made pale
• With scorn, and heard heaven mock me in that laugh.

• O sweet, long sweet! Was that some ghost of you
• Even as your ghost that haunts me now,—twin shapes
• Of fear and hatred? May I find you yet
• Mine when death wakes? Ah! be it even in flame,
• We may have sweetness yet, if you but say
• As once in childish sorrow: ‘Not my pain,
• My pain was nothing: oh your poor poor love,
• Your broken love!’

• My Father, have I not
• 490 Yet told you the last things of that last day
• On which I went to meet her by the sea?
• O God, O God! but I must tell you all.

• Midway upon my journey, when I stopped
• To buy the dagger at the village fair,
• I saw two cursed rats about the place
• I knew for spies—blood-sellers both. That day
• Was not yet over; for three hours to come
• I prized my life: and so I looked around
• For safety. A poor painted mountebank
• 500 Was playing tricks and shouting in a crowd.
• I knew he must have heard my name, so I
• Pushed past and whispered to him who I was,
• And of my danger. Straight he hustled me
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• Into his booth, as it were in the trick,
• And brought me out next minute with my face
• All smeared in patches and a zany's gown;
• And there I handed him his cups and balls
• And swung the sand-bags round to clear the ring
• For half an hour. The spies came once and looked;
• 510 And while they stopped, and made all sights and sounds
• Sharp to my startled senses, I remember
• A woman laughed above me. I looked up
• And saw where a brown-shouldered harlot leaned
• Half through a tavern window thick with vine.
• Some man had come behind her in the room
• And caught her by her arms, and she had turned
• With that coarse empty laugh on him, as now
• He munched her neck with kisses, while the vine
• Crawled in her back.

• And three hours afterwards,
• 520 When she that I had run all risks to meet
• Laughed as I told you, my life burned to death
• Within me, for I thought it like the laugh
• Heard at the fair. She had not left me long;
• But all she might have changed to, or might change to,
• (I know nought since—she never speaks a word—)
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• Seemed in that laugh. Have I not told you yet,
• Not told you all this time what happened, Father,
• When I had offered her the little knife,
• And bade her keep it for my sake that loved her,
• 530 And she had laughed? Have I not told you yet?

• ‘Take it,’ I said to her the second time,
• ‘Take it and keep it.’ And then came a fire
• That burnt my hand; and then the fire was blood,
• And sea and sky were blood and fire, and all
• The day was one red blindness; till it seemed,
• Within the whirling brain's eclipse, that she
• Or I or all things bled or burned to death.
• And then I found her laid against my feet
• And knew that I had stabbed her, and saw still
• 540 Her look in falling. For she took the knife
• Deep in her heart, even as I bade her then,
• And fell; and her stiff bodice scooped the sand
• Into her bosom.

• And she keeps it, see,
• Do you not see she keeps it?—there, beneath
• Wet fingers and wet tresses, in her heart.
• For look you, when she stirs her hand, it shows
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• The little hilt of horn and pearl,—even such
• A dagger as our women of the coast
• Twist in their garters.

• Father, I have done:
• 550 And from her side now she unwinds the thick
• Dark hair; all round her side it is wet through,
• But, like the sand at Iglio, does not change.
• Now you may see the dagger clearly. Father,
• I have told all: tell me at once what hope
• Can reach me still. For now she draws it out
• Slowly, and only smiles as yet: look, Father,
• She scarcely smiles: but I shall hear her laugh
• Soon, when she shows the crimson steel to God.

   

• In our Museum galleries
• To-day I lingered o'er the prize
• Dead Greece vouchsafes to living eyes,—
• Her Art for ever in fresh wise
• From hour to hour rejoicing me.
• Sighing I turned at last to win
• Once more the London dirt and din;
• And as I made the swing-door spin
• And issued, they were hoisting in
• 10 A wingèd beast from Nineveh.

• A human face the creature wore,
• And hoofs behind and hoofs before,
• And flanks with dark runes fretted o'er.
• 'Twas bull, 'twas mitred Minotaur,
• A dead disbowelled mystery:
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• The mummy of a buried faith
• Stark from the charnel without scathe,
• Its wings stood for the light to bathe,—
• Such fossil cerements as might swathe
• 20 The very corpse of Nineveh.

• The print of its first rush-wrapping,
• Wound ere it dried, still ribbed the thing.
• What song did the brown maidens sing,
• From purple mouths alternating,
• When that was woven languidly?
• What vows, what rites, what prayers preferr'd,
• What songs has the strange image heard?
• In what blind vigil stood interr'd
• For ages, till an English word
• 30 Broke silence first at Nineveh?

• Oh when upon each sculptured court,
• Where even the wind might not resort,—
• O'er which Time passed, of like import
• With the wild Arab boys at sport,—
• A living face looked in to see:—
• O seemed it not—the spell once broke—
• As though the carven warriors woke,
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• As though the shaft the string forsook,
• The cymbals clashed, the chariots shook,
• 40 And there was life in Nineveh?

• On London stones our sun anew
• The beast's recovered shadow threw.
• (No shade that plague of darkness knew,
• No light, no shade, while older grew
• By ages the old earth and sea.)
• Lo thou! could all thy priests have shown
• Such proof to make thy godhead known?
• From their dead Past thou liv'st alone;
• And still thy shadow is thine own
• 50 Even as of yore in Nineveh.

• That day whereof we keep record,
• When near thy city-gates the Lord
• Sheltered His Jonah with a gourd,
• This sun, (I said) here present, pour'd
• Even thus this shadow that I see.
• This shadow has been shed the same
• From sun and moon,—from lamps which came
• For prayer,—from fifteen days of flame,
• The last, while smouldered to a name
• 60 Sardanapalus' Nineveh.

• Within thy shadow, haply, once
• Sennacherib has knelt, whose sons
• Smote him between the altar-stones:
• Or pale Semiramis her zones
• Of gold, her incense brought to thee,
• In love for grace, in war for aid: . . . .
• Ay, and who else? . . . . till 'neath thy shade
• Within his trenches newly made
• Last year the Christian knelt and pray'd—
• 70 Not to thy strength—in Nineveh.*

• Now, thou poor god, within this hall
• Where the blank windows blind the wall
• From pedestal to pedestal,
• The kind of light shall on thee fall
• Which London takes the day to be:
• While school-foundations in the act
• Of holiday, three files compact,
• Shall learn to view thee as a fact
• Connected with that zealous tract:
• 80 ‘Rome,—Babylon and Nineveh.’

• Deemed they of this, those worshippers,
• When, in some mythic chain of verse
• Which man shall not again rehearse,
• The faces of thy ministers
• Yearned pale with bitter ecstasy?
• Greece, Egypt, Rome,—did any god
• Before whose feet men knelt unshod
• Deem that in this unblest abode
• Another scarce more unknown god
• 90 Should house with him, from Nineveh?

• Ah! in what quarries lay the stone
• From which this pillared pile has grown,
• Unto man's need how long unknown,
• Since those thy temples, court and cone,
• Rose far in desert history?
• Ah! what is here that does not lie
• All strange to thine awakened eye?
• Ah! what is here can testify
• (Save that dumb presence of the sky)
• 100 Unto thy day and Nineveh?

• Why, of those mummies in the room
• Above, there might indeed have come
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• One out of Egypt to thy home,
• An alien. Nay, but were not some
• Of these thine own ‘antiquity?’
• And now,—they and their gods and thou
• All relics here together,—now
• Whose profit? whether bull or cow,
• Isis or Ibis, who or how,
• 110 Whether of Thebes or Nineveh?

• The consecrated metals found,
• And ivory tablets, underground,
• Winged teraphim and creatures crown'd,
• When air and daylight filled the mound,
• Fell into dust immediately.
• And even as these, the images
• Of awe and worship,—even as these,—
• So, smitten with the sun's increase,
• Her glory mouldered and did cease
• 120 From immemorial Nineveh.

• The day her builders made their halt,
• Those cities of the lake of salt
• Stood firmly 'stablished without fault,
• Made proud with pillars of basalt,
• With sardonyx and porphyry.
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• The day that Jonah bore abroad
• To Nineveh the voice of God,
• A brackish lake lay in his road,
• Where erst Pride fixed her sure abode,
• 130 As then in royal Nineveh.

• The day when he, Pride's lord and Man's,
• Showed all the kingdoms at a glance
• To Him before whose countenance
• The years recede, the years advance,
• And said, Fall down and worship me:—
• 'Mid all the pomp beneath that look,
• Then stirred there, haply, some rebuke,
• Where to the wind the Salt Pools shook,
• And in those tracts, of life forsook,
• 140 That knew thee not, O Nineveh!

• Delicate harlot! On thy throne
• Thou with a world beneath thee prone
• In state for ages sat'st alone;
• And needs were years and lustres flown
• Ere strength of man could vanquish thee:
• Whom even thy victor foes must bring,
• Still royal, among maids that sing